tag:blogger.com,1999:blog-64664773328962879642024-03-13T03:32:17.104+00:00Nexuspor Margarida C.Unknownnoreply@blogger.comBlogger3044125tag:blogger.com,1999:blog-6466477332896287964.post-56494773430050448672012-08-06T01:15:00.005+01:002012-08-06T01:15:46.292+01:00"Amazônia" pelos olhos de Edu Simões<a href="http://veja.abril.com.br/blog/sobre-imagens/livros/edu-simoes/" rel="bookmark" style="border: 0px; color: #ebae00; font-family: Arial, Helvetica, sans-serif; font-size: 14px; font-weight: bold; line-height: 18px; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;" title="Edu Simões"><img src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-HOME.jpg" style="border: 0px; list-style: none; margin: 0px 0px 10px; outline: 0px; padding: 0px;" /></a><br />
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Após cinco expedições pela região amazônica, o fotógrafo paulista Edu Simões (1956) acaba de publicar o livroAmazônia (Terra Virgem Editora, 2012, 180 pg.). As viagens foram realizadas em 2011 pelos estados do Amazonas, Acre, Pará, Amapá, Roraima e Rondônia. Simões desbravou, além de cidades e pequenas localidades, os rios Solimões e Negro em jornadas de barco que duravam até dois dias.<br />
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Edu Simões começou em 1976 como repórter fotográfico e foi um dos membros fundadores da F4, agência pioneira no fotojornalimo nacional. Na década de 1990, produziu retratos emblemáticos para o Cadernos de literatura brasileira, do Instituto Moreira Salles (IMS) e foi editor de fotografia das revistas Bravo! e República. Com obras em diversas coleções nacionais e estrangeiras, Edu Simões tem uma carreira longa e sólida na fotografia brasileira, atuando no mercado editorial e corporativo.<br />
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O livro possui o mérito de não tentar abarcar e resolver a complexidade do tema. A riqueza de Amazônia é ser um livro com fotografias primorosas e edição bem amarrada. Simões foge dos clichês da selva e dos atrativos exóticos que encantam os forasteiros. Em 100 fotografias, registradas numa câmera de filme médio formato, Simões mostra a sua visão da região. A riqueza do livro está nesse olhar.<br />
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-01.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><br class="Apple-interchange-newline" /><img alt="" class="size-full wp-image-23521" height="952" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-01.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">1. </b> Francimar Ruivo de Oliveira com sucuri, lago do Janauari, rio Solimões, Amazonas – 2011. (Edu Simões)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-02.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-23531" height="956" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-02.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">2. </b> Manoel dos Santos, RDS Mamirauá, comunidade Cuiabá, Fonte Boa, Amazonas – 2011. (Edu Simões)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-03.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-23541" height="963" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-03.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">3. </b> Marcos Félix, RDS Mamirauá, comunidade Cuiabá, Fonte Boa, Amazonas – 2011. (Edu Simões)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-04.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-23551" height="946" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-04.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">4. </b> Rio Amazonas, Amapá – 2001. (Edu Simões)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-05.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-23561" height="942" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-05.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">5. </b> Encontro das águas, rio Negro e rio Solimões, Manaus, Amazonas – 2011. (Edu Simões)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-17.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-24781" height="949" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-17.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">6. </b> Rio Juruá, São Raimundo, Amazonas – 2011. (Edu Simões)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-06.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-23571" height="957" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-06.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">7. </b> Boto, rio Tapajós, Santarém, Pará – 2011. (Edu Simões)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-07.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-23581" height="953" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-07.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">8. </b> Jaú, São Caetano de Odivelas, Pará – 2011. – 2011. (Edu Simões)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-08.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-23591" height="963" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-08.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">9. </b> Raimundo Gilson, castanhal Fé em Deus, rio Iratapuru, Amapá – 2011. (Edu Simões)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-09.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-23601" height="950" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-09.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">10. </b> Rafael dos Santos, castanhal Fé em Deus, rio Iratapuru, Amapá – 2011. (Edu Simões)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-10.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-23611" height="952" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-10.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">11. </b> Manoel Raimundo Santos (Alemão), castanhal Fé em Deus, rio Iratapuru, Amapá – 2011. (Edu Simões)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-11.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-23621" height="945" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-11.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">12. </b> José Farias (Coco Pau), castanhal Fé em Deus, rio Iratapuru, Amapá – 2011. (Edu Simões)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-19.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-24791" height="1034" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-19.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">13. </b> Seu Arigó, Marajó, Pará – 2011. (Edu Simões)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-18.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-24801" height="950" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-18.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">14. </b> Gesiane Teles e a priprioca, Boa Vista do Acará , Pará – 2011. (Edu Simões)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-12.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-23631" height="950" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-12.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">15. </b> Manaus, próximo ao porto, Amazonas – 2011. (Edu Simões)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-13.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-23641" height="949" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-13.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">16. </b> Quarto de Raimundo e Deusivânia e dos filhos Francisco e Francisca, comunidade de São Raimundo, Médio Juruá, Amazonas – 2011. (Edu Simões)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-14.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-23651" height="948" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-14.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">17. </b> Beiradão, Vitória do Jari, Amapá – 2011. (Edu Simões)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-15.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-23661" height="950" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/07/edu-simoes-15.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">18. </b> Raíssa, rio Jari, Vitória do Jari, Amapá – 2011. (Edu Simões)</div>
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">19. </b> Praia Grande do Outeiro, Pará – 2011. (Edu Simões)</div>
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<i>por <a href="http://veja.abril.com.br/blog/sobre-imagens/livros/edu-simoes/" target="_blank">Alexandre Belém</a></i>Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-6466477332896287964.post-28759382710685861412012-08-06T00:54:00.001+01:002012-08-06T01:54:31.897+01:00Marilyn Monroe: 50 anos depois<br />
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Marilyn Monroe, famed blond bombshell, yearned to retire to Brooklyn in her twilight years</h1>
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The ‘Some Like It Hot’ starlet called the borough her ‘favorite place in the world’ in 1955 radio interview. She died seven years later.</h2>
<span style="color: #333333; font-size: 14px; line-height: 20px;">Years before her untimely death, big screen beauty </span><a href="http://www.nydailynews.com/topics/Marilyn+Monroe" style="border: 0px; color: #015fb6; font-family: inherit; font-size: 14px; font-style: inherit; line-height: 20px; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" title="Marilyn Monroe">Marilyn Monroe</a><span style="color: #333333; font-size: 14px; line-height: 20px;"> hoped to spend her twilight years in Brooklyn.</span><img alt="Marilyn Monroe on set of "The Seven Year Itch" at East 61st St. between Lexington Ave. and Third Ave." height="544" itemprop="contentUrl" src="http://assets.nydailynews.com/polopoly_fs/1.1129423.1344185228!/img/httpImage/image.jpg_gen/derivatives/landscape_635/monroenyc6n-1-web.jpg" style="border: 0px; font-family: inherit; font-size: 12px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;" title="Marilyn Monroe on set of "The Seven Year Itch" at East 61st St. between Lexington Ave. and Third Ave." width="635" /><br />
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FRANK HURLEY/NEW YORK DAILY NEWS</h4>
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Marilyn Monroe on set of "The Seven Year Itch" at East 61st St. between Lexington Ave. and Third Ave.</h4>
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The blond bombshell, who lived in New York City on and off for several years before dying in Los Angeles in 1962, called Brooklyn her "favorite place in the world" <a href="http://www.msnbc.msn.com/id/21134540/vp/48494970#48494970" style="border: 0px; color: #015fb6; font-family: inherit; font-size: 14px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" target="_blank">in a radio interview with NBC's Dave Garroway.</a></div>
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"When I retire I'm going to retire to Brooklyn," Monroe told the late "Today" show host. "That's my favorite place in the world, so far, that I've seen."</div>
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<img alt="MONROENYC6N_5_WEB" src="http://assets.nydailynews.com/polopoly_fs/1.1129419!/img/httpImage/image.jpg_gen/derivatives/landscape_635/monroenyc6n-5-web.jpg" style="border: 0px; font-family: inherit; font-size: 11px; font-style: inherit; margin: 0px 0px 0px -10px; outline: 0px; padding: 0px; vertical-align: baseline; width: 635px;" /><br />
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GEORGE LOCKHART/NEW YORK DAILY NEWS</h4>
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Marilyn Monroe and husband playwright Arthur Miller.</h4>
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Monroe, then 31-years-old and inbetween her marriages to New York Yankees Hall of Famer Joe DiMaggio and playwright Arthur Miller, admitted she hadn't "travelled much, but I don't think I'll find anything to replace Brooklyn."</div>
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The brief interview kicked off NBC radio's Monitor program, which debuted June 12, 1955. It remained on the air for nearly 20 years.</div>
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<a href="http://www.nydailynews.com/entertainment/marilyn-monroe-1962-never-before-seen-shots-american-sex-symbol-gallery-1.1086862" style="border: 0px; color: #015fb6; font-family: inherit; font-size: 14px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" target="_blank"><strong style="border: 0px; font-family: inherit; font-size: 14px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">PHOTOS: Marilyn Monroe in 1962</strong></a></div>
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When asked what it was about Brooklyn she loved, Monroe's answer was simple: "Almost everything."</div>
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"I just like walking around," she said in her soft, whispy tone.</div>
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Monroe said one highlight was the view of Manhattan which can only be seen from Brooklyn, but stressed her affection for the borough was more than that.</div>
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"It isn't only the view, it's the people," Monroe said. "The people and the streets and the atmosphere, I just like it."</div>
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<img alt="MONROENYC6N_4_WEB" src="http://assets.nydailynews.com/polopoly_fs/1.1129420!/img/httpImage/image.jpg_gen/derivatives/landscape_635/monroenyc6n-4-web.jpg" style="border: 0px; font-family: inherit; font-size: 11px; font-style: inherit; margin: 0px 0px 0px -10px; outline: 0px; padding: 0px; vertical-align: baseline; width: 635px;" /><br />
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PHIL STANZIOLA/NEW YORK DAILY NEWS</h4>
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Marilyn Monroe in her hotel room while filming "The Seven Year Itch" in New York City.</h4>
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Her affection for Brooklyn may have come through her relationship with Miller, who spent years living in the borough and wrote fondly about it in his 1987 autobiography, Timebends.</div>
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Monroe and Miller married in 1956 and remained together for five years before divorcing in 1961, a year before her death.</div>
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<a href="http://www.nydailynews.com/entertainment/marilyn-monroe-50th-anniversary-death-gallery-1.1128658" style="border: 0px; color: #015fb6; font-family: inherit; font-size: 14px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><strong style="border: 0px; font-family: inherit; font-size: 14px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">PHOTOS: Memories of Marilyn</strong></a></div>
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During that period, the sultry "Some Like It Hot" star came to New York City with plans to someday make it her permanent home. She set up a production company, Marilyn Monroe Productions, and took acting lessons with Lee Strasberg. The sexy starlet said the move was part of her plan to change her bubbly big screen persona by playing more meaty roles.</div>
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"It's not that I object to doing musicals and comedies - in fact, I rather enjoy them - but I'd like to do dramatic parts too," Monroe told Edward R. Murrow in 1955.</div>
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The company, however, didn't last and was only responsible for two productions: 1956's "Bus Stop" and "The Prince and the Showgirl" in 1957. Both films starred Monroe, and the production of "Prince" served as the backdrop for 2011's "My Week With Marilyn."</div>
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The curtain fell on Monroe's life when she was discovered, naked, in the bedroom of her Brentwood home in 1962. A bottle of prescription pills was found on her nightstand, and officials concluded her death was the result of an "apparent suicide."</div>
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<img alt="MONROENYC6N_3_WEB" src="http://assets.nydailynews.com/polopoly_fs/1.1129421!/img/httpImage/image.jpg_gen/derivatives/landscape_635/monroenyc6n-3-web.jpg" style="border: 0px; font-family: inherit; font-size: 11px; font-style: inherit; margin: 0px 0px 0px -10px; outline: 0px; padding: 0px; vertical-align: baseline; width: 635px;" /><br />
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JACK CLARITY/NEW YORK DAILY NEWS</h4>
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Smiling happily, Marilyn Monroe cuddles on husband Arthur Miller in their car at Idlewild Airport after arriving from Kingston, Jamaica.</h4>
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Two of Monroe's most iconic moments took place in New York City:</div>
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- The blond beauty serenaded President John F. Kennedy with a sexy "Happy Birthday, Mr. President" at Madison Square Garden on May 19, 1962. It is believed the two shared a long-standing affair.</div>
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- The subway grate scene in "Seven Year Itch" was originally filmed in Manhattan in 1954. The moment was eventually reshot in Hollywood, however, but photos from the original shoot were used in promotional art.</div>
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19/06/2012</div>
às 9:33 \ <b style="border: 0px; list-style: none; margin: 0px; outline: none; padding: 0px;"><a href="http://veja.abril.com.br/blog/sobre-imagens/secao/fotojornalismo/" rel="category tag" style="border: 0px; color: #ebae00; font-size: 12px; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;" title="Ver todos os posts em Fotojornalismo">Fotojornalismo</a>, <a href="http://veja.abril.com.br/blog/sobre-imagens/secao/mulheres/" rel="category tag" style="border: 0px; color: #ebae00; font-size: 12px; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;" title="Ver todos os posts em Mulheres">Mulheres</a></b></div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/mulheres/marilyn-monroe-por-michael-ochs-archives/" rel="bookmark" style="border: 0px; color: black; display: block; font-family: Arial; font-size: 23px; line-height: 26px; list-style: none; margin: 4px 0px 16px; outline: 0px; padding: 0px; text-decoration: none;">Marilyn Monroe por Michael Ochs Archives</a></h1>
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Este último posts do especial sobre os 50 anos da morte de Marilyn Monroe (1926-1962) traz imagens do Michael Ochs Archives. O acervo é considerado um dos mais ricos sobre a história do rock e do entretenimento dos anos 1950 e 1960. O americano Michael Ochs (1943) começou reunindo este acervo nos anos 1970, apenas como hobby, e hoje conta com mais de 3 milhões de fotos.</div>
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A atriz americana Marilyn Monroe (1926-1962) transcendeu a categoria de diva e símbolo sexual para tornar-se um ícone imagético. Suas fotos são verdadeiros tesouros da fotografia mundial. Nesta seleção de imagens, mostramos Marilyn entre os anos 1950 e 1955.</div>
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<em style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Alexandre Belém</em></div>
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Confira os outros três posts do especial:</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/mulheres/marilyn-monroe-por-baron-nahum/" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;" target="_blank">Baron Nahum</a>, <a href="http://veja.abril.com.br/blog/sobre-imagens/mulheres/marilyn-monroe-por-alfred-eisenstaedt/" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;" target="_blank">Alfred Eisenstaedt</a> e <a href="http://veja.abril.com.br/blog/sobre-imagens/mulheres/marilyn-monroe-por-ernst-haas/" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;" target="_blank">Ernst Haas</a>.</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-01.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21851" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-01.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="852" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">1. </b> Marilyn Monroe em sessão de fotos na casa do seu agente em Beverly Hills, Califórnia – 1950. (Earl leaf/Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-02.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21861" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-02.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="786" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">2. </b> Marilyn Monroe em sessão de fotos na casa do seu agente em Beverly Hills, Califórnia – 1950. (Earl leaf/Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-03.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21871" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-03.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="788" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">3. </b> Marilyn Monroe em sessão de fotos na casa do seu agente em Beverly Hills, Califórnia – 1950. (Earl Leaf/Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-04.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21881" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-04.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="719" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">4. </b> Marilyn Monroe em sessão de fotos na casa do seu agente em Beverly Hills, Califórnia – 1950. (Earl Leaf/Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-05.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21891" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-05.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="709" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">5. </b> Marilyn Monroe em sessão de fotos para divulgar o filme Loucos de Amor – 1950. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-06.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21901" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-06.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="668" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">6. </b> Marilyn Monroe – 1951. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-07.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21911" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-07.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="708" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">7. </b> Marilyn Monroe em sessão de fotos para divulgar o filme A Malvada – 1951. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-08.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21921" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-08.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="673" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">8. </b> Marilyn Monroe – 1952. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-09.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21931" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-09.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="678" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">9. </b> Marilyn Monroe – 1952. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-10.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21941" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-10.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="691" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">10. </b> Marilyn Monroe – 1952. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-11.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21951" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-11.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="692" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">11. </b> Marilyn Monroe – 1952. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-12.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21961" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-12.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="679" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">12. </b> Marilyn Monroe – 1952. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-13.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21971" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-13.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="687" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">13. </b> Marilyn Monroe – 1952. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-14.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21981" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-14.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="673" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">14. </b> Marilyn Monroe – 1952. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-15.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21991" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-15.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="662" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">15. </b> Marilyn Monroe – 1953. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-16.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-22001" height="745" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-16.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">16. </b> Marilyn Monroe – 1953. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-17.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-22011" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-17.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="674" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">17. </b> Marilyn Monroe – 1953. (Michael Ochs Archives/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-18.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-22021" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-18.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="577" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">18. </b> Marilyn Monroe em Nova York – 1955. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-19.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-22031" height="639" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-19.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">19. </b> Marilyn Monroe em Nova York – 1955. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-20.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-22041" height="613" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-20.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">20. </b> Marilyn Monroe em Nova York – 1955. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-21.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-22051" height="638" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-21.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">21. </b> Marilyn Monroe em Nova York – 1955. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-22.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-22061" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-22.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="558" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">22. </b> Marilyn Monroe em Nova York – 1955. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-23.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-22071" height="613" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-23.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">23. </b> Marilyn Monroe em Nova York – 1955. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-24.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-22081" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-24.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="566" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">24. </b> Marilyn Monroe em Nova York – 1955. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-25.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-22091" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-25.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="570" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">25. </b> Marilyn Monroe em Nova York – 1955. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-26.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-22101" height="627" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-26.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">26. </b> Marilyn Monroe em Nova York – 1955. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-27.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-22111" height="624" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-27.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">27. </b> Marilyn Monroe em Nova York – 1955. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-28.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-22121" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-28.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="850" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">28. </b> Marilyn Monroe em Nova York – 1955. (Michael Ochs Archives/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-29.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-22131" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/06/marilyn-ochs-29.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="572" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">29. </b> Marilyn Monroe em Nova York – 1955. (Michael Ochs Archives/Getty Images)</div>
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<i><a href="http://veja.abril.com.br/blog/sobre-imagens/mulheres/marilyn-monroe-por-michael-ochs-archives/#" target="_blank">link</a></i><br />
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<h1 style="border: 0px; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 23px; font-weight: normal; line-height: 18px; list-style: none; margin: 0px 0px 10px 200px; outline: 0px; padding: 0px;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/mulheres/marilyn-monroe-por-baron-nahum/" rel="bookmark" style="border: 0px; color: black; display: block; font-family: Arial; font-size: 23px; line-height: 26px; list-style: none; margin: 4px 0px 16px; outline: 0px; padding: 0px; text-decoration: none;">Marilyn Monroe por Baron Nahum</a></h1>
<div class="postConteudo" style="border: 0px; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 18px; list-style: none; margin: 0px; outline: 0px; padding: 0px;">
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; margin-bottom: 10px; margin-left: 200px; outline: 0px; padding: 0px; text-align: justify;">
<span style="border: 0px; font-size: x-small; list-style: none; margin: 0px; outline: 0px; padding: 0px;">A atriz americana Marilyn Monroe (1926-1962) transcendeu a categoria de diva e símbolo sexual para tornar-se um ícone imagético. Suas fotos são verdadeiros tesouros da fotografia mundial.</span></div>
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; margin-bottom: 10px; margin-left: 200px; outline: 0px; padding: 0px; text-align: justify;">
<span style="border: 0px; font-size: x-small; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Perto de completar 50 anos de sua morte, o Sobre Imagens homenageia Marilyn Monroe pelo olhar de três fotógrafos - Baron Nahum, Alfred Eisenstaedt e Ernst Haas - e pelas obras do Michael Ochs Archives.</span></div>
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; margin-bottom: 10px; margin-left: 200px; outline: 0px; padding: 0px; text-align: justify;">
<span style="border: 0px; font-size: x-small; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Famoso fotógrafo de balé e da alta sociedade britânica, Baron Nahum (1906-1956) fotografou várias personalidades das décadas de 1930 e 1950 no Reino Unido. Em 1954, viajando pelos Estados Unidos para divulgar um de seus livros, Nahum fotografou estrelas da época, inclusive Marilyn Monroe, para o jornal londrino <em style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Sunday Graphic</em>.</span></div>
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; margin-bottom: 10px; margin-left: 200px; outline: 0px; padding: 0px; text-align: justify;">
<span style="border: 0px; font-size: x-small; list-style: none; margin: 0px; outline: 0px; padding: 0px;">A sessão foi realizada no último dia de Nahum em Hollywood. Marilyn chegou num final de tarde ao local e Nahum preferiu fotografá-la na parte externa da casa, aproveitando a luz natural</span><span style="border: 0px; font-size: x-small; list-style: none; margin: 0px; outline: 0px; padding: 0px;">. Em torno de 50 fotos foram feitas e Marilyn usou três modelos de roupa.</span></div>
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; margin-bottom: 10px; margin-left: 200px; outline: 0px; padding: 0px; text-align: justify;">
<span style="border: 0px; font-size: x-small; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Nas próximas três semanas, publicaremos os outros ensaios.</span></div>
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; margin-bottom: 10px; margin-left: 200px; outline: 0px; padding: 0px; text-align: justify;">
<em style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Alexandre Belém.</em></div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-01.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-20821" height="741" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-01.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">1. </b> Marilyn Monroe em sessão de fotos – 1954. (Baron/Hulton Archive/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-02.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-20831" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-02.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="857" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">2. </b> Marilyn Monroe em sessão de fotos – 1954. (Baron/Hulton Archive/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-03.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-20841" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-03.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="661" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">3. </b> Marilyn Monroe em sessão de fotos – 1954. (Baron/Hulton Archive/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-04.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-20851" height="787" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-04.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">4. </b> Marilyn Monroe em sessão de fotos – 1954. (Baron/Hulton Archive/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-05.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-20861" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-05.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="774" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">5. </b> Marilyn Monroe em sessão de fotos – 1954. (Baron/Hulton Archive/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-06.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-20871" height="754" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-06.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">6. </b> Marilyn Monroe em sessão de fotos – 1954. (Baron/Hulton Archive/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-07.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-20881" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-07.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="691" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">7. </b> Marilyn Monroe em sessão de fotos – 1954. (Baron/Hulton Archive/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-08.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-20891" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-08.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="677" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">8. </b> Marilyn Monroe em sessão de fotos – 1954. (Baron/Hulton Archive/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-09.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-20901" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-09.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="675" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">9. </b> Marilyn Monroe em sessão de fotos – 1954. (Baron/Hulton Archive/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-10.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-20911" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-10.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="606" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">10. </b> Marilyn Monroe em sessão de fotos – 1954. (Baron/Hulton Archive/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-11.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-20921" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-11.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="856" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">11. </b> Marilyn Monroe em sessão de fotos – 1954. (Baron/Hulton Archive/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-12.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-20931" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-12.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="840" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">12. </b> Marilyn Monroe em sessão de fotos – 1954. (Baron/Hulton Archive/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-13.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-20941" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-13.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="655" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">13. </b> Marilyn Monroe em sessão de fotos – 1954. (Baron/Hulton Archive/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-14.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-20951" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-14.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="673" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">14. </b> Marilyn Monroe em sessão de fotos – 1954. (Baron/Hulton Archive/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-15.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-20961" height="708" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-15.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">15. </b> Marilyn Monroe em sessão de fotos – 1954. (Baron/Hulton Archive/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-16.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-20971" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-16.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="831" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">16. </b> Marilyn Monroe em sessão de fotos – 1954. (Baron/Hulton Archive/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-17.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-20981" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-17.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="664" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">17. </b> Marilyn Monroe em sessão de fotos – 1954. (Baron/Hulton Archive/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-18.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-20991" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-18.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="844" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">18. </b> Marilyn Monroe em sessão de fotos – 1954. (Baron/Hulton Archive/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-19.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21001" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-19.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="661" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">19. </b> Marilyn Monroe em sessão de fotos – 1954. (Baron/Hulton Archive/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-20.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21011" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-20.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="626" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">20. </b> Marilyn Monroe em sessão de fotos – 1954. (Baron/Hulton Archive/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-21.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21021" height="619" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-nahun-baron-21.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">21. </b> O fotógrafo Baron Nahun fotografa Marilyn Monroe – 1954. (Baron/Hulton Archive/Getty Images)</div>
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<i><a href="http://veja.abril.com.br/blog/sobre-imagens/mulheres/marilyn-monroe-por-baron-nahum/" target="_blank">link</a></i><br />
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<h1 style="border: 0px; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 23px; font-weight: normal; line-height: 18px; list-style: none; margin: 0px 0px 10px 200px; outline: 0px; padding: 0px;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/mulheres/marilyn-monroe-por-alfred-eisenstaedt/" rel="bookmark" style="border: 0px; color: black; display: block; font-family: Arial; font-size: 23px; line-height: 26px; list-style: none; margin: 4px 0px 16px; outline: 0px; padding: 0px; text-decoration: none;">Marilyn Monroe por Alfred Eisenstaedt</a></h1>
<div class="postConteudo" style="border: 0px; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 18px; list-style: none; margin: 0px; outline: 0px; padding: 0px;">
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<span style="border: 0px; font-size: x-small; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Nos 50 anos da morte de Marilyn Monroe (1926-1962), o <em style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Sobre Imagens</em> homenageia a atriz americana com posts sobre três fotógrafos e um acervo: Baron Nahum, Alfred Eisenstaedt, Ernst Haas e o Michael Ochs Archives.<strong style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;"></strong></span></div>
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<span style="border: 0px; font-size: x-small; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Este post traz boa parte da sessão realizada pelo mítico fotojornalista Alfred Eisenstaedt (1898-1995), da revista <em style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;">LIFE</em>, na casa de Marilyn em 1953.</span><span style="border: 0px; font-size: x-small; list-style: none; margin: 0px; outline: 0px; padding: 0px;"> Nas próximas duas semanas, publicaremos os outros ensaios.</span></div>
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<em style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;"><span style="border: 0px; font-size: x-small; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Alexandre Belém</span></em></div>
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<span style="border: 0px; font-size: x-small; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Veja mais:</span></div>
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; margin-bottom: 10px; margin-left: 200px; outline: 0px; padding: 0px; text-align: justify;">
<span style="border: 0px; font-size: x-small; list-style: none; margin: 0px; outline: 0px; padding: 0px;"><a href="http://veja.abril.com.br/blog/sobre-imagens/mulheres/marilyn-monroe-por-baron-nahum/" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;" target="_blank">Post anterior com o ensaio de Marilyn Monroe por Nahum Baron, realizado em 1954.</a></span></div>
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; margin-bottom: 10px; margin-left: 200px; outline: 0px; padding: 0px; text-align: justify;">
<span style="border: 0px; font-size: x-small; list-style: none; margin: 0px; outline: 0px; padding: 0px;"><a href="http://veja.abril.com.br/blog/sobre-imagens/classicos/alfred-eisenstaedt%c2%a0/" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;" target="_blank">Confira o post sobre Alfred Eisenstaedt publicado em 2011.</a></span></div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-01.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21401" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-01.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="565" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">1. </b> Marilyn Monroe na sua casa, Califórnia – Maio de 1953. (Alfred Eisenstaedt/Time & Life Pictures/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-02.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21411" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-02.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="556" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">2. </b> Marilyn Monroe na sua casa, Califórnia – Maio de 1953. (Alfred Eisenstaedt/Time & Life Pictures/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-03.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21421" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-03.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="562" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">3. </b> Marilyn Monroe na sua casa, Califórnia – Maio de 1953. (Alfred Eisenstaedt/Time & Life Pictures/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-04.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21431" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-04.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="563" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">4. </b> Marilyn Monroe na sua casa, Califórnia – Maio de 1953. (Alfred Eisenstaedt/Time & Life Pictures/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-05.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21441" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-05.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="560" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">5. </b> Marilyn Monroe na sua casa, Califórnia – Maio de 1953. (Alfred Eisenstaedt/Time & Life Pictures/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-06.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21451" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-06.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="554" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">6. </b> Marilyn Monroe na sua casa, Califórnia – Maio de 1953. (Alfred Eisenstaedt/Time & Life Pictures/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-07.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21461" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-07.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="560" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">7. </b> Marilyn Monroe na sua casa, Califórnia – Maio de 1953. (Alfred Eisenstaedt/Time & Life Pictures/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-08.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21471" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-08.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="647" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">8. </b> Marilyn Monroe na sua casa, Califórnia – Maio de 1953. (Alfred Eisenstaedt/Time & Life Pictures/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-09.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21481" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-09.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="611" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">9. </b> Marilyn Monroe na sua casa, Califórnia – Maio de 1953. (Alfred Eisenstaedt/Time & Life Pictures/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-10.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21491" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-10.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="628" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">10. </b> Marilyn Monroe na sua casa, Califórnia – Maio de 1953. (Alfred Eisenstaedt/Time & Life Pictures/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-11.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21501" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-11.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="665" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">11. </b> Marilyn Monroe na sua casa, Califórnia – Maio de 1953. (Alfred Eisenstaedt/Time & Life Pictures/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-12.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21511" height="709" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-12.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">12. </b> Marilyn Monroe na sua casa, Califórnia – Maio de 1953. (Alfred Eisenstaedt/Time & Life Pictures/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-13.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21521" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-13.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="650" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">13. </b> Marilyn Monroe na sua casa, Califórnia – Maio de 1953. (Alfred Eisenstaedt/Time & Life Pictures/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-14.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21531" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-14.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="670" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">14. </b> Marilyn Monroe na sua casa, Califórnia – Maio de 1953. (Alfred Eisenstaedt/Time & Life Pictures/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-15.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21541" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-15.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="574" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">15. </b> Marilyn Monroe na sua casa, Califórnia – Maio de 1953. (Alfred Eisenstaedt/Time & Life Pictures/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-16.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21551" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-16.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="572" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">16. </b> Marilyn Monroe na sua casa, Califórnia – Maio de 1953. (Alfred Eisenstaedt/Time & Life Pictures/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-17.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21561" height="734" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-17.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">17. </b> Marilyn Monroe na sua casa, Califórnia – Maio de 1953. (Alfred Eisenstaedt/Time & Life Pictures/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-18.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21571" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-18.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="648" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">18. </b> Marilyn Monroe na sua casa, Califórnia – Maio de 1953. (Alfred Eisenstaedt/Time & Life Pictures/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-19.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21581" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-19.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="565" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">19. </b> Marilyn Monroe na sua casa, Califórnia – Maio de 1953. (Alfred Eisenstaedt/Time & Life Pictures/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-20.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21591" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/Marilyn-Monroe-Alfred-Eisenstaedt-20.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="553" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">20. </b> Marilyn Monroe com Alfred Eisenstaedt na sua casa, Califórnia – Maio de 1953. (Alfred Eisenstaedt/Time & Life Pictures/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/mulheres/marilyn-monroe-por-alfred-eisenstaedt/" target="_blank">link</a><br />
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<h1 style="border: 0px; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 23px; font-weight: normal; line-height: 18px; list-style: none; margin: 0px 0px 10px 200px; outline: 0px; padding: 0px;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/mulheres/marilyn-monroe-por-ernst-haas/" rel="bookmark" style="border: 0px; color: black; display: block; font-family: Arial; font-size: 23px; line-height: 26px; list-style: none; margin: 4px 0px 16px; outline: 0px; padding: 0px; text-decoration: none;">Marilyn Monroe por Ernst Haas</a></h1>
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Nos 50 anos da morte de Marilyn Monroe (1926-1962), o Sobre Imagens homenageia a atriz americana com posts sobre três fotógrafos e um acervo: Baron Nahum, Alfred Eisenstaedt, Ernst Haas e o Michael Ochs Archives.</div>
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Este post mostra as fotografias de Ernst Haas durante as filmagens do filme <em style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Os Desajustados</em>. O registro do filme é um dos poucos trabalhos que Haas – considerado um dos mestres da fotografia colorida – fez em preto e branco.</div>
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Em 1960, a agência Magnum foi incumbida de documentar as filmagens do longa. Com direção de John Huston, o roteiro era de Arthur Miller, casado com Marilyn à época. Durante as gravações, o casal separou-se. O filme contava ainda com as estrelas Clark Gable e Montgomery Clift. <em style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Os Desajustados</em>, lançado em 1961, seria o último filme concluído por Marilyn Monroe.</div>
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A Magnum sempre mantinha dois fotógrafos no set de filmagens. Por isso, as fotografias de <em style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Os Desajustados</em> são um memorável documento construído, ao longo das semanas de duração do trabalho, por fotógrafos como Henri Cartier-Bresson, Eve Arnold, Elliot Erwitt, Bruce Davidson, Erich Hartmann, Inge Morath, Cornell Capa e Dennis Stock, além de Ernst Haas.</div>
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Na próxima semana, Marilyn Monroe no acervo do Michael Ochs Archives.</div>
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<em style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Alexandre Belém</em></div>
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Veja mais:</div>
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Os posts com <a href="http://veja.abril.com.br/blog/sobre-imagens/mulheres/marilyn-monroe-por-baron-nahum/" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;" target="_blank">Baron Nahum</a> e <a href="http://veja.abril.com.br/blog/sobre-imagens/mulheres/marilyn-monroe-por-alfred-eisenstaedt/" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;" target="_blank">Alfred Eisenstaedt</a>.</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/classicos/ernst-haas-icone-da-fotografia-colorida/" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;" target="_blank">Post sobre Ernst Haas.</a></div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-01.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21061" height="629" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-01.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">1. </b> Marilyn Monroe durante as gravações do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-02.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21071" height="609" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-02.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">2. </b> Marilyn Monroe durante as gravações do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-03.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21081" height="614" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-03.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">3. </b> Marilyn Monroe durante as gravações do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-04.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21091" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-04.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="568" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">4. </b> Marilyn Monroe durante as gravações do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-05.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21101" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-05.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="555" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">5. </b> Atores Montgomery Clift, Marilyn Monroe e Clark Gable durante sessão de fotos para divulgação do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-06.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21111" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-06.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="550" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">6. </b> Arthur Miller, John Huston, Eli Wallach, Montgomery Clift, Marilyn Monroe e Clark Gable durante sessão de fotos para divulgação do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-07.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21121" height="635" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-07.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">7. </b> Arthur Miller, John Huston, Eli Wallach, Montgomery Clift, Marilyn Monroe e Clark Gable durante sessão de fotos para divulgação do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-08.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21131" height="612" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-08.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">8. </b> Arthur Miller, John Huston, Eli Wallach, Montgomery Clift, Marilyn Monroe e Clark Gable durante sessão de fotos para divulgação do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-09.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21141" height="620" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-09.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">9. </b> Marilyn Monroe durante as gravações do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-10.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21151" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-10.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="564" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">10. </b> Marilyn Monroe durante as gravações do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-11.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21161" height="605" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-11.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">11. </b> Marilyn Monroe e Paula Strasberg (preparadora de elenco) durante as gravações do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-12.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21171" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-12.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="567" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">12. </b> Marilyn Monroe e Clark Gable durante as gravações do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-13.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21181" height="626" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-13.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">13. </b> Marilyn Monroe e Clark Gable durante as gravações do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-14.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21191" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-14.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="554" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">14. </b> Marilyn Monroe e Clark Gable durante as gravações do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-15.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21201" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-15.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="545" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">15. </b> Marilyn Monroe e Montgomery Clift durante as gravações do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-16.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21211" height="608" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-16.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
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<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">16. </b> Marilyn Monroe e o ator Eli Wallach durante as gravações do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-17.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21221" height="611" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-17.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">17. </b> Arthur Miller (esposo de Marilyn), Frank E. Taylor (produtor) e Marilyn Monroe durante as gravações do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-18.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21231" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-18.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="556" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">18. </b> Marilyn Monroe durante as gravações do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-19.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21241" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-19.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="566" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">19. </b> Marilyn Monroe durante as gravações do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-20.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21251" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-20.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="578" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">20. </b> Marilyn Monroe durante as gravações do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-21.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21261" height="654" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-21.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">21. </b> Marilyn Monroe durante as gravações do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-22.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21271" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-22.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="550" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">22. </b> Marilyn Monroe durante as gravações do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<div class="legenda" style="background-color: black; border: 0px; color: white; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;">
<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-23.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21281" height="613" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-23.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="940" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">23. </b> Marilyn Monroe com o ator Eli Wallach durante as gravações do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<a href="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-24.jpg" style="border: 0px; color: #ebae00; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;"><img alt="" class="size-full wp-image-21291" height="850" src="http://veja.abril.com.br/blog/sobre-imagens/files/2012/05/marilyn-monroe-ernst-haas-24.jpg" style="border: 0px; list-style: none; margin: 0px; outline: 0px; padding: 0px;" width="551" /></a><br />
<div style="border: 0px; font-size: 14px; line-height: 18px; list-style: none; outline: 0px; padding: 7px 10px;">
<b style="border: 0px; color: #ebae00; font-size: 24px; list-style: none; margin: 0px; outline: none; padding: 0px;">24. </b> Marilyn Monroe e Clark Gable durante as gravações do filme Os Desajustados, Nevada – 1960. (Ernst Haas/Getty Images)</div>
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<i><a href="http://veja.abril.com.br/blog/sobre-imagens/mulheres/marilyn-monroe-por-ernst-haas/" target="_blank">link</a></i>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-6466477332896287964.post-38137779629657463352012-08-05T20:14:00.001+01:002012-08-05T20:14:46.443+01:00Festa do Cinema Italiano 2012<div>
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12 a 19 de Abril - Lisboa<br />
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* fotos de <a href="http://joanalinda.tumblr.com/festadocinemaitaliano" target="_blank">Joana Linda</a>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-6466477332896287964.post-76079312541158510892012-08-05T19:29:00.001+01:002012-08-05T19:30:10.039+01:00"Aldo, o Muacyéra-Puxy" » por Ribamar Bessa-Freire<br />
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O ministro do Esporte do Brasil, Aldo Rebelo, concedeu lá na Inglaterra entrevista coletiva aos jornalistas, que queriam saber porque ele havia sido tão deselegante e até agressivo com a ex-ministra do Meio Ambiente, Marina Silva pela participação dela na cerimônia de abertura das Olimpíadas de Londres. Presentes os cronistas esportivos especializados em ginástica muacysáua, entre os quais Antônio Salieri, da Áustria; Dâmaso Salcede, de Portugal; Arão e Miriã, de Israel, Otelo e Iago, da Itália. Do Brasil, Zuenir Ventura e as coleguinhas Pitiápo e Dassuen.<br />
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Todos eles chegaram à meia-noite na charneca do Condado de Devonshire, no sudoeste da Inglaterra. Seguiram fielmente as orientações de Nelson Rodrigues, que propôs trocar aquela entrevista duvidosa feita habitualmente pela mídia, onde "o sujeito esconde o que pensa ou sente", pela entrevista imaginária, "a única técnica capaz de arrancar do entrevistado as verdades atrozes que ele não diria ao padre, ao psicanalista, nem ao médium, depois de morto". Foi admitida a presença apenas de uma testemunha, alguém que "não trai, não faz fofoca, nem comete inconfidências": um bode velho que substituiu a cabra vadia.</div>
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Efetivamente, na entrevista imaginária que concedeu na charneca, Aldo não impostou a voz, não fez pose, não representou, não tentou ocultar a verdade. Olhou seus entrevistadores como se fossem um espelho, sem cinismo, sem ironia, sem autocensura. Nada de ocultar a verdade. Foi aquilo que ele é: o Aldo nu e cru. Respondeu as perguntas com absoluta sinceridade, começando com a formulada pelo repórter italiano que trabalha em Salzburgo, Áustria.</div>
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<a href="http://s1.trrsf.com/blogs/25/files/image/marina.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="479" src="http://s1.trrsf.com/blogs/25/files/image/marina.jpg" width="640" /></a></div>
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<strong style="background-color: transparent; border: 0px; font-size: 14px; line-height: 22px; margin: 0px; padding: 0px; vertical-align: baseline;">Antonio Salieri (Salzburger Nachrichten) -</strong><span style="background-color: transparent; font-size: 14px; line-height: 22px;"> </span><span style="background-color: transparent; font-size: 14px; line-height: 22px;">O mundo inteiro reconhece a importância do trabalho ambiental de Marina Silva, que é a cara do Brasil. Isso foi motivo para alegria e orgulho de todos. Por que, então, tanta agressividade de V. Ex. diante do convite feito à ex-ministra para a abertura das Olimpíadas de Londres?</span></div>
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<strong style="background-color: transparent; background-position: initial initial; background-repeat: initial initial; border: 0px; font-size: 14px; margin: 0px; padding: 0px; vertical-align: baseline;">Aldo -</strong> Foi olho gordo mesmo! Mau-olhado! Quando a vi carregando a bandeira com os anéis olímpicos, ao lado do secretário-geral da ONU, Ban Ki-Moon, escolhida junto com mais sete celebridades, não suportei. Tive febre, meu corpo amoleceu, fiquei irritadiço, deprimido. Deus, se existisse, não daria a uma acreana aquilo que negou a esse pobre alagoano! Fiquei roendo de inveja. Essa é a verdade.</div>
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<strong style="background-color: transparent; background-position: initial initial; background-repeat: initial initial; border: 0px; font-size: 14px; margin: 0px; padding: 0px; vertical-align: baseline;">Dâmaso Salcede (A Bola) -</strong> Por pura inveja, um personagem de Eça de Queiroz, no romance "Os Maias", um "moço gordo e bochechudo", se infiltra na casa das janelas verdes e imita Carlos da Maia, belo, inteligente, nobre e culto, "com uma minuciosidade inquieta", se veste como ele, faz a barba como ele, querendo ser como ele em tudo e por tudo. O ministro Aldo quer ser a Marina?</div>
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<strong style="background-color: transparent; background-position: initial initial; background-repeat: initial initial; border: 0px; font-size: 14px; margin: 0px; padding: 0px; vertical-align: baseline;">Aldo -</strong> Veja bem! Alguém já disse que os ataques de inveja são os únicos em que o agressor, se puder, prefere fazer o papel da vítima. Não vou mentir. É claro que eu gostaria de desfilar ao lado do Muhammad Ali e de vários detentores do Prêmio Nobel. Não poder fazê-lo foi como receber um golpe no queixo, um uppercut. Me senti nocauteado pela Marina, que é ex-ministra, não é mais, já foi, já era. Quem devia estar lá, era eu, que sou ministro do Esporte e não ela.</div>
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<strong style="background-color: transparent; background-position: initial initial; background-repeat: initial initial; border: 0px; font-size: 14px; margin: 0px; padding: 0px; vertical-align: baseline;">Iago com o fotógrafo Otelo (Gazeta Dello Sport) -</strong> Afinal, quem é o Aldo? Jeová se apresentou a Moisés dizendo: "Ego sum qui sum", eu sou aquilo que sou. Quando Shakespeare escreveu "O Mouro de Veneza", escolheu a inveja para desenhar o mais perverso e intrigante vilão da literatura, um invejoso, perverso, o próprio demônio, que se auto-define "Eu não sou o que sou". Aldo Rebelo é aquilo que é ou não é o que é?</div>
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<strong style="background-color: transparent; background-position: initial initial; background-repeat: initial initial; border: 0px; font-size: 14px; margin: 0px; padding: 0px; vertical-align: baseline;">Aldo -</strong> Sou muitos. Já Marina é o que eu ainda vou ser, mas ainda não sou: ex-ministro. Sou o criador do Dia Nacional do Saci-Pererê, o projeto conhecido como "Halloween é o cacete!". Sou o criador do Pro-Tapioca que obriga usar farinha de mandioca no pão. Formulei o projeto que proíbe usar palavras estrangeiras. E a dona Marina, que veio lá do Seringal do Bagaço, quem é ela? O que fez? Francamente, não entendo tanta admiração que vocês, a aristocracia e as casas reais da Europa sentem por ela!</div>
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<strong style="background-color: transparent; background-position: initial initial; background-repeat: initial initial; border: 0px; font-size: 14px; margin: 0px; padding: 0px; vertical-align: baseline;">Miriã com o fotógrafo Arão (Sporting Life) -</strong> A Bíblia ensina que a inveja é uma armadilha do capiroto. Os dois irmãos de Moisés, com o coração cheio de ressentimento, atacam a própria cunhada Zípora. Por isso, Jeová os castigou. Não é mais recomendável, no lugar da inveja, procurar saber qual papel Deus deseja que o ministro Aldo desempenhe em Sua obra?</div>
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<strong style="background-color: transparent; background-position: initial initial; background-repeat: initial initial; border: 0px; font-size: 14px; margin: 0px; padding: 0px; vertical-align: baseline;">Aldo -</strong> Conversa fiada! Que Deus que nada! Quem convidou Marina para desempenhar esse papel não foi Deus, foi a Rainha da Inglaterra, assessorada pelo canalha do presidente do Comitê Olímpico Internacional (COI), com o apoio do crápula do Ban Ki-Moon. Não podemos determinar quem as casas reais escolhem, fazer o quê? Mas não meta Deus nesse história. Deus é uma ova! Não acredito em Deus, sou materialista.</div>
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<strong style="background-color: transparent; background-position: initial initial; background-repeat: initial initial; border: 0px; font-size: 14px; margin: 0px; padding: 0px; vertical-align: baseline;">Zuenir Ventura (O Globo) -</strong> O ódio espuma. A preguiça se derrama. A gula engorda A avareza acumula. A luxúria se oferece. O orgulho exulta. Só a inveja se esconde. Por que o senhor tornou público e escancarou o mal secreto, esse sentimento que costuma sempre ser dissimulado por todo mundo.</div>
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<strong style="background-color: transparent; background-position: initial initial; background-repeat: initial initial; border: 0px; font-size: 14px; margin: 0px; padding: 0px; vertical-align: baseline;">Aldo -</strong> Vocês precisam conscientizar que a inveja é uma função natural da vida, como a respiração, o medo, o prazer, o ciúme. Não é necessariamente algo patológico. Inveja é humano. Eu sou humano. Todo mundo sente ou já sentiu inveja. Numa entrevista imaginária, eu posso ser sincero, assumir que a inveja é a admiração torta sem esperança. Sabe, no fundo, eu gostaria de ser a Marina, de ter o reconhecimento nacional e internacional que ela tem.</div>
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<strong style="background-color: transparent; background-position: initial initial; background-repeat: initial initial; border: 0px; font-size: 14px; margin: 0px; padding: 0px; vertical-align: baseline;">Dassuen (Diário do Amazonas) -</strong> Aldo já foi vitima da inveja de alguém?</div>
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<strong style="background-color: transparent; background-position: initial initial; background-repeat: initial initial; border: 0px; font-size: 14px; margin: 0px; padding: 0px; vertical-align: baseline;">Aldo -</strong> Nunca fui invejado. Minto, só uma vez quando estudava no Colégio Agrícola Floriano Peixoto, em Satuba (AL). Fiz um queijo coalho que nem comunista botava defeito e que foi muito elogiado no Festival do Mocotó e na Festa de Nossa Senhora da Guia, padroeira de Satuba. Mas a gente sabe que alguém que fala não inveja quem também fala. Só o mudo inveja quem fala.</div>
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<strong style="background-color: transparent; background-position: initial initial; background-repeat: initial initial; border: 0px; font-size: 14px; margin: 0px; padding: 0px; vertical-align: baseline;">Pitiápo (Diário do Amazonas)</strong> – Ministro, queremos saber sua opinião sobre uma história que circula no Alto Rio Negro. Quem nos contou foi o amigo Manoel Moura, um índio Tukano, escritor, que faz 60 anos no próximo dia 10 de agosto. Ele lembra que três vagalumes – Cuisi, Uiuári e Oán – foram perseguidos por uma cobra, a Iararacussu, que matou dois deles. O terceiro, Oán, depois de perseguido durante vários dias, já cansado de fugir, parou e negociou com a cobra:</div>
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- Posso te fazer três perguntas?. A cobra concordou.</div>
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- Por acaso, você come vagalume? Faço parte de tua cadeia alimentar?</div>
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- Claro que não.</div>
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- Já te fiz algum mal na vida?.</div>
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- Nunca.</div>
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- Então por que queres acabar comigo?.</div>
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- Por que não suporto de te ver brilhar. Ministro, gostaríamos de ouvir seu comentário sobre essa história.</div>
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<strong style="background-color: transparent; background-position: initial initial; background-repeat: initial initial; border: 0px; font-size: 14px; margin: 0px; padding: 0px; vertical-align: baseline;">Aldo -</strong> A única coisa que tenho a declarar é que a muacysáua é uma tiputy e eu sou mesmo um muacyuéra-puxy. Mas pelo menos digo isso sem usar estrangeirismos, em Nheengatu puro, a primeira língua dos brasileiros.</div>
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O bode velho, que assistiu calado toda a entrevista, calado permaneceu. </div>
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<strong style="background-color: transparent; background-position: initial initial; background-repeat: initial initial; border: 0px; font-size: 14px; margin: 0px; padding: 0px; vertical-align: baseline;">P.S. </strong>Glossário extraído do Dicionário Nheengatu-Português de Stradelli:muacyuéra-puxy – invejoso (pg.238). muacysáua – inveja (pg.238) tiputy – merda (pg.260)</div>
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<span style="background-color: transparent; border: 0px; font-size: 14px; line-height: 22px; margin: 0px; padding: 0px; vertical-align: baseline;"><i>por <a href="http://www.taquiprati.com.br/cronica.php?ident=992" target="_blank">José Ribamar Bessa Freire</a> </i></span></div>
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<span style="background-color: transparent; border: 0px; font-size: 14px; line-height: 22px; margin: 0px; padding: 0px; vertical-align: baseline;"><i>* professor, coordenador d o Programa de Estudos dos Povos Indígenas (UERJ) e pesquisador no Programa de Pós-Graduação em Memória Social (UNIRIO)</i></span></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-6466477332896287964.post-27373815459311628032012-07-31T21:41:00.001+01:002012-07-31T21:45:02.317+01:00Índia às escuras: o maior 'apagão' da História<div class="separator" style="clear: both; text-align: center;">
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<a href="http://www.thedailybeast.com/content/dailybeast/galleries/2012/07/31/blackout-in-northern-india-photos/jcr:content/gallery/slide/image.img.960.jpg/1343753423444.cached.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="422" src="http://www.thedailybeast.com/content/dailybeast/galleries/2012/07/31/blackout-in-northern-india-photos/jcr:content/gallery/slide/image.img.960.jpg/1343753423444.cached.jpg" width="640" /></a></div>
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S<span style="background-color: white; font-family: Georgia, 'times new roman', times, serif; font-size: 13px; line-height: 19px;">weeping outages in India have left approximately </span><a href="http://in.reuters.com/article/2012/07/31/india-blackout-delhi-northern-power-idINDEE86U05C20120731" style="background-color: white; color: #00598c; font-family: Georgia, 'times new roman', times, serif; font-size: 13px; line-height: 19px; text-decoration: none;">670 million people</a><span style="background-color: white; font-family: Georgia, 'times new roman', times, serif; font-size: 13px; line-height: 19px;"> there without power. There are more Indians who have no lights, air conditioning, or refrigeration (save those powered by private generators); whose streets have no traffic lights, subways, or street lamps; than there are people living in all the U.S., Canada, Mexico, and Japan put together. It appears to be the </span><a href="http://en.wikipedia.org/wiki/List_of_power_outages" style="background-color: white; color: #00598c; font-family: Georgia, 'times new roman', times, serif; font-size: 13px; line-height: 19px; text-decoration: none;">single largest</a><span style="background-color: white; font-family: Georgia, 'times new roman', times, serif; font-size: 13px; line-height: 19px;"> power outage in the modern history of electricity. The second largest was yesterday's outage in northern India, which has since spread. The third largest left 100 million Indonesian without power in 2005. For comparison, the </span><a href="http://topics.nytimes.com/topics/reference/timestopics/subjects/b/blackouts_and_brownouts_electrical/new_york_city_blackout_of_2003/index.html" style="background-color: white; color: #00598c; font-family: Georgia, 'times new roman', times, serif; font-size: 13px; line-height: 19px; text-decoration: none;">largest blackout</a><span style="background-color: white; font-family: Georgia, 'times new roman', times, serif; font-size: 13px; line-height: 19px;"> in American history, in 2003, effected 45 million people. Indian officials say they have </span><a href="http://www.nytimes.com/2012/08/01/world/asia/power-outages-hit-600-million-in-india.html?_r=1&hp" style="background-color: white; color: #00598c; font-family: Georgia, 'times new roman', times, serif; font-size: 13px; line-height: 19px; text-decoration: none;">still not deduced</a><span style="background-color: white; font-family: Georgia, 'times new roman', times, serif; font-size: 13px; line-height: 19px;"> the source of the problem.</span><br />
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On a regular day, during peak hours, India's grid can only meet about <a href="http://in.reuters.com/article/2012/07/31/india-blackout-delhi-northern-power-idINDEE86U05C20120731" style="color: #00598c; text-decoration: none;">90 percent</a> of the electricity demand. Meanwhile, the Indian government is also struggling to deal with a <a href="http://online.wsj.com/article/SB10000872396390444860104577560874042079942.html?mod=WSJINDIA_hps_LEFTTopWhatNews" style="color: #00598c; font-family: arial; font-size: small; text-decoration: none;">major drought</a>. The convergence of these two calamities is a reminder of how far India still has to go before it can duplicate the sort of modernization and rise from poverty that China and other East Asia countries have achieved. Below, the story of over a half-billion people without power, told in photos.</div>
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<a href="http://www.theatlantic.com/international/archive/2012/07/india-in-the-dark-photos-of-the-largest-blackout-in-history/260537/" target="_blank"><i>link</i></a></div>
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<img alt="a india 1.jpg" class="mt-image-center" height="400" src="http://cdn.theatlantic.com/static/mt/assets/international/a%20india%201.jpg" style="border: none; display: block; margin: 0px auto 20px; text-align: center;" width="615" /></div>
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Traffic is gridlocked across urban New Delhi, a city of 14 million. With the public train system shut down and the city's already raucous traffic made even more dangerous and impassible by the lack of power lights, the city has been described as "<a href="http://www.telegraph.co.uk/news/worldnews/asia/india/9441632/New-Delhi-in-chaos-after-powercut-leaves-millions-without-power-in-46C-heat.html" style="color: #00598c; text-decoration: none;" target="_blank">in chaos</a>." No one is yet sure what the disruption to these northern cities will mean for India's <a href="http://www.economist.com/node/21557783" style="color: #00598c; text-decoration: none;" target="_blank">already faltering</a> economy. (AP)</div>
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Girls study educational Islamic texts at a madrasa in Noida, on the outskirts of New Delhi, India's capital. (Reuters)</div>
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<img alt="a india train.jpg" class="mt-image-center" height="400" src="http://cdn.theatlantic.com/static/mt/assets/international/a%20india%20train.jpg" style="border: none; display: block; margin: 0px auto 20px; text-align: center;" width="615" /></div>
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Stranded passengers wander rails at the New Delhi station after hours of inactivity. Some Indian media has <a href="http://articles.timesofindia.indiatimes.com/2012-07-30/india/32941453_1_northern-grid-hour-power-cuts-power-lines" style="color: #00598c; text-decoration: none;" target="_blank">noted</a> that the blackout has forced members of New Delhi's middle and upper classes to experience life as the <a href="http://economix.blogs.nytimes.com/2009/07/09/how-many-indians-are-poor/" style="color: #00598c; text-decoration: none;" target="_blank">far more numerous lower class</a> does on a daily basis. The sprawling poor neighborhoods of India's rapidly growing cities endure regular, if typically briefer, outages in power and public services. (AP)</div>
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A girl looks through the windows of one of the many trains stalled along India's enormous rail system, a legacy of British imperial rule. (Reuters)</div>
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A police officer in the city of Chandigarh reads documents with the help of a flashlight. Basic government services, which in some areas in still modernizing, have been hit hard by the outages. (Reuters)</div>
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A barber in Calcutta cuts a customer's hair by candlelight. With the blackout now in its second day, many Indians are trying to push ahead with daily life. (AP)</div>
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A New Delhi shopkeeper fiddles with a generator outside of his storefront. India's economy, the ninth largest in the world, has been growing rapidly in large part as its enormous rural population moves into cities. This means that the Indian economy is fueled largely by its cities, and because those cities run on electricity, today's loss is both a symbolic and actual blow to the country's effort to lifts its hundreds of millions of impoverished citizens above the poverty line. (AP)</div>
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Commuters line up at a New Delhi metro station, perhaps a bit optimistically. (AP)</div>
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Indian soldiers guard the entrance to a closed metro station. So far, neither looting nor other crimes appear to have been much a problem, though they have been endemic in other blackouts. Some Americans may recall the disintegration of order in New York City during the 1977 blackout there (thankfully, the looting was not repeated in the 2003 U.S. blackout).</div>
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<a href="http://photographyblog.dallasnews.com/files/2012/07/APTOPIX_India_Power_Outage.1.jpg" style="border: 0px; color: rgb(0, 0, 0) !important; font-size: 15px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><img alt="" class="size-full wp-image-1983" height="419" src="http://photographyblog.dallasnews.com/files/2012/07/APTOPIX_India_Power_Outage.1.jpg" style="border: 0px solid rgb(221, 221, 221) !important; display: block; height: auto; margin: 0px auto; max-width: 98%; padding: 10px !important; width: auto;" title="APTOPIX India Power Outage" width="620" /></a><br />
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A young Indian boy watches from a window of a stalled train as he waits for the train to resume its services following a power outage at a railway station in New Delhi, India, Tuesday, July 31, 2012. India's energy crisis cascaded over half the country Tuesday when three of its regional grids collapsed, leaving 620 million people without government-supplied electricity for several hours in, by far, the world's biggest blackout. Hundreds of trains stalled across the country and traffic lights went out, causing widespread traffic jams in New Delhi. <span style="border: 0px; font-size: 13px; font-style: inherit; margin: 0px 0px 0px 5px; outline: 0px; padding: 0px; vertical-align: baseline;">(Kevin Frayer/AP)</span></div>
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<a href="http://photographyblog.dallasnews.com/files/2012/07/731indiapower002.jpg" style="border: 0px; color: #005689; font-size: 15px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><img alt="" class="size-full wp-image-1954" height="429" src="http://photographyblog.dallasnews.com/files/2012/07/731indiapower002.jpg" style="border: 0px solid rgb(187, 187, 187) !important; display: block; height: auto; margin: 0px auto; max-width: 98%; padding: 10px !important; width: auto;" title="Indian pedestrians walk on a street unde" width="620" /></a><br />
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Indian pedestrians walk on a street under electric wires in the old quarters New Delhi on July 31,2012. <span style="border: 0px; font-size: 13px; font-style: inherit; margin: 0px 0px 0px 5px; outline: 0px; padding: 0px; vertical-align: baseline;">(Sajjad Hussain/AFP)</span></div>
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<a href="http://photographyblog.dallasnews.com/files/2012/07/731indiapower003.jpg" style="border: 0px; color: #005689; font-size: 15px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><img alt="" class="size-full wp-image-1955" height="387" src="http://photographyblog.dallasnews.com/files/2012/07/731indiapower003.jpg" style="border: 0px solid rgb(187, 187, 187) !important; display: block; height: auto; margin: 0px auto; max-width: 98%; padding: 10px !important; width: auto;" title="India Power Outage" width="620" /></a><br />
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Commuters wait for buses outside a Metro station after Delhi Metro rail services were disrupted following power outage in New Delhi, India, Tuesday, July 31, 2012. The outage came just a day after India's northern power grid collapsed for several hours leaving cities and villages across eight states powerless. <span style="border: 0px; font-size: 13px; font-style: inherit; margin: 0px 0px 0px 5px; outline: 0px; padding: 0px; vertical-align: baseline;">(Rajesh Kumar Singh/AP)</span></div>
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<a href="http://photographyblog.dallasnews.com/files/2012/07/731indiapower004.jpg" style="border: 0px; color: #005689; font-size: 15px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><img alt="" class="size-full wp-image-1956" height="410" src="http://photographyblog.dallasnews.com/files/2012/07/731indiapower004.jpg" style="border: 0px solid rgb(187, 187, 187) !important; display: block; height: auto; margin: 0px auto; max-width: 98%; padding: 10px !important; width: auto;" title="India Power Outage" width="620" /></a><br />
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A traffic jam following power outage and rains at the Delhi-Gurgaon road on the outskirts of New Delhi, India, Tuesday, July 31, 2012. India's energy crisis cascaded over half the country Tuesday when three of its regional grids collapsed, leaving 620 million people without government-supplied electricity in one of the world's biggest-ever blackouts. <span style="border: 0px; font-size: 13px; font-style: inherit; margin: 0px 0px 0px 5px; outline: 0px; padding: 0px; vertical-align: baseline;">(AP)</span></div>
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A traffic jam following power outage and rains at the Delhi-Gurgaon road on the outskirts of New Delhi, India, Tuesday, July 31, 2012. India's energy crisis cascaded over half the country Tuesday when three of its regional grids collapsed, leaving 620 million people without government-supplied electricity in one of the world's biggest-ever blackouts. <span style="border: 0px; font-size: 13px; font-style: inherit; margin: 0px 0px 0px 5px; outline: 0px; padding: 0px; vertical-align: baseline;">(Roberto Schmidt/AFP)</span></div>
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<a href="http://photographyblog.dallasnews.com/files/2012/07/731indiapower006.jpg" style="border: 0px; color: #005689; font-size: 15px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><img alt="" class="size-full wp-image-1958" height="413" src="http://photographyblog.dallasnews.com/files/2012/07/731indiapower006.jpg" style="border: 0px solid rgb(187, 187, 187) !important; display: block; height: auto; margin: 0px auto; max-width: 98%; padding: 10px !important; width: auto;" title="Portable power generators (C) provide el" width="620" /></a><br />
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Portable power generators provide electrical power to souvenir shops along Janpath Market, a popular tourist shopping area, during a power outtage in New Delhi on July 31, 2012. India's northern and eastern power grids collapsed on July 31, blacking out half the country and affecting hundreds of millions of people in the second day of electricity chaos. <span style="border: 0px; font-size: 13px; font-style: inherit; margin: 0px 0px 0px 5px; outline: 0px; padding: 0px; vertical-align: baseline;">(Tengku Bahar/AFP)</span></div>
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<a href="http://photographyblog.dallasnews.com/files/2012/07/APTOPIX_India_Power_Outage.2.jpg" style="border: 0px; color: #005689; font-size: 15px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><img alt="" class="size-full wp-image-1984" height="408" src="http://photographyblog.dallasnews.com/files/2012/07/APTOPIX_India_Power_Outage.2.jpg" style="border: 0px solid rgb(187, 187, 187) !important; display: block; height: auto; margin: 0px auto; max-width: 98%; padding: 10px !important; width: auto;" title="APTOPIX India Power Outage" width="620" /></a><br />
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An Indian barber holding a candle, has a haircut for a customer at his shop in Kolkata, India, Tuesday, July 31, 2012. <span style="border: 0px; font-size: 13px; font-style: inherit; margin: 0px 0px 0px 5px; outline: 0px; padding: 0px; vertical-align: baseline;">(Bikas Das/AP)</span></div>
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Indian stranded passengers wait for the train services to resume at a railway station following a power outage in New Delhi, India, Tuesday, July 31, 2012. Hundreds of trains stalled across the country and traffic lights went out, causing widespread traffic jams in New Delhi. <span style="border: 0px; font-size: 13px; font-style: inherit; margin: 0px 0px 0px 5px; outline: 0px; padding: 0px; vertical-align: baseline;">(Rajesh Kumar Singh/AP)</span></div>
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<a href="http://photographyblog.dallasnews.com/files/2012/07/APTOPIX_India_Power_Outage.4.jpg" style="border: 0px; color: #005689; font-size: 15px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><img alt="" class="size-full wp-image-1986" height="404" src="http://photographyblog.dallasnews.com/files/2012/07/APTOPIX_India_Power_Outage.4.jpg" style="border: 0px solid rgb(187, 187, 187) !important; display: block; height: auto; margin: 0px auto; max-width: 98%; padding: 10px !important; width: auto;" title="APTOPIX India Power Outage" width="620" /></a><br />
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Indian stranded passengers wait on a platform and some of them on rail tracks for the train services to resume following a power outage at Sealdah station in Kolkata, India, Tuesday, July 31, 2012.<span style="border: 0px; font-size: 13px; font-style: inherit; margin: 0px 0px 0px 5px; outline: 0px; padding: 0px; vertical-align: baseline;">(Bikas Das/AP)</span></div>
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<a href="http://photographyblog.dallasnews.com/files/2012/07/APTOPIX_India_Power_Outage.jpg" style="border: 0px; color: #005689; font-size: 15px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><img alt="" class="size-full wp-image-1966" height="413" src="http://photographyblog.dallasnews.com/files/2012/07/APTOPIX_India_Power_Outage.jpg" style="border: 0px solid rgb(187, 187, 187) !important; display: block; height: auto; margin: 0px auto; max-width: 98%; padding: 10px !important; width: auto;" title="APTOPIX_India_Power_Outage" width="620" /></a><br />
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A stranded Indian train passenger rests inside a railway coach as he waits for the train service to resume following a power outage in Kolkata, India, Tuesday, July 31, 2012. India's energy crisis cascaded over half the country Tuesday when three of its regional grids collapsed, leaving 620 million people without government-supplied electricity for several hours in, by far, the world's biggest-ever blackout. <span style="border: 0px; font-size: 13px; font-style: inherit; margin: 0px 0px 0px 5px; outline: 0px; padding: 0px; vertical-align: baseline;">(Bikas Das/AP)</span></div>
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Ver: <a href="http://news.yahoo.com/photos/major-blackout-hits-northern-india-slideshow/" target="_blank">mais fotos</a>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-6466477332896287964.post-66678548547298968852012-07-30T20:32:00.000+01:002012-08-05T20:42:07.489+01:00Morreu o cineasta francês Chris Marker (1921-2012)<div class="separator" style="clear: both; text-align: center;">
<a href="http://a6.sphotos.ak.fbcdn.net/hphotos-ak-snc7/314048_10151066972079271_1099501945_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://a6.sphotos.ak.fbcdn.net/hphotos-ak-snc7/314048_10151066972079271_1099501945_n.jpg" /></a></div>
<br />O cineasta, fotógrafo e escritor Chris Marker morreu no domingo, anunciou esta segunda-feira Gilles Jacob, presidente do Festival de Cannes no seu <i>Twitter</i>. O realizador de “La Jetée” (1962) e “Sans Soleil” (1983) tinha 91 anos. <div>
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<blockquote class="tr_bq">
«A ternura, é o intelecto, a compreensão, qualquer coisa infinita, severa e delicada como uma sensação da mão que descobre as células nervosas. É uma das coisas mais belas, das mais profundas. É a única razão da minha vida, esperança da minha vida, e poderíamos morrer por isso.»<br />– <b>Chris Marker</b>, '<i>Mystére Koumiko</i>' (1965)</blockquote>
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Cineasta, fotógrafo, poeta, escritor, filósofo, crítico, Chris Marker foi “sobretudo um artista”, como escreve o jornal francês L’Express, destacando as várias áreas nas quais o realizador se aventurou, quase sempre com grande sucesso.<br /><br />“Espírito curioso, cineasta incansável, poeta apaixonado por gatos, videasta, personagem secreta, imenso talento, ficámos órfãos de Chris Marker”, foi assim que Jacob, presidente daquele que é considerado o festival de cinema mais importante do mundo, lembrou o cineasta no seu Twitter.<br /><br />Considerada uma das figuras mais secretas do cinema mundial, Chris Marker, que mantinha uma relação distante com a imprensa, não se deixando fotografar, começou a filmar na década de 1950 com “Olympia 52”, um documentário sobre Jogos Olímpicos de Inverno de Oslo de 1952, logo após a Segunda Guerra Mundial, durante a qual o realizador combateu do lado da resistência.<br /><br />Segundo o Libération, existe menos de uma dezena de fotografias de Marker, que raramente falava com a imprensa. Ao longo da sua carreira foram muito poucas as entrevistas que deu. A sua paixão por gatos era tão grande que sempre que alguém lhe pedia uma foto, o realizador enviava uma foto de um gato.<br /><br />Nascido a 29 de Julho de 1921 com o nome Christian François Bouche Villeneuve, foi como Chris Marker, que o cineasta se tornou num dos nomes mais importantes do cinema mundial, sendo hoje considerado uma figura fundamental para o desenvolvimento da linguagem documental, partilhando a sua visão do mundo através das suas viagens, como refere o L’Express.<br /><br />Da sua filmografia destacam-se “La Jetée” (1962), filme emblemático, que inspirou realizadores como Mamoru Oshii ou Terry Gilliam, e “Sans Soleil” (1983), baseado nas cartas de Sandor Krasna e construído como uma travessia do olhar pelo mundo, em que a realidade é evocada através da palavra.<br /><br />Reflectindo o seu interesse pela cultura digital desde a década de 90, Marker assinou ainda um CD-ROM para o Centro Pompidou e uma peça multimédia para o MoMA de Nova Iorque. Numa rara entrevista ao Libération em 2003, quando questionado sobre o que é que ainda não tinha tentado fazer, Marker respondeu: “O guache”.<br /><br />Ao longo da sua carreira trabalhou com alguns dos nomes mais sonantes do cinema como Jean-Luc Godard, Agnès Varda, Joris Ivens, Costa-Gavras, Yves Montand e Alain Resnais.<br /><br />Na literatura, Chris Marker iniciou-se aos 26 anos, tendo começado por escrever artigos, comentários e poemas para a revista francesa Esprit. Em 1949, publicou o seu primeiro e único romance “Le Coeur net”.<br />
<i><a href="http://www.publico.pt/Cultura/morreu-o-cineasta-frances-chris-marker-1556931" target="_blank">link</a> </i><br />
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<a href="http://a7.sphotos.ak.fbcdn.net/hphotos-ak-ash3/551067_10151068219104271_1811894982_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://a7.sphotos.ak.fbcdn.net/hphotos-ak-ash3/551067_10151068219104271_1811894982_n.jpg" /></a></div>
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<i>La Jetée</i></div>
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Cf. também:<br />
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<ul>
<li><a href="http://www.guardian.co.uk/film/2012/jul/30/chris-marker?fb=native&CMP=FBCNETTXT9038" target="_blank">Chris Marker obituary</a> - The Guardian</li>
<li><a href="http://next.liberation.fr/cinema/2012/07/30/le-realisateur-chris-marker-la-jetee-level-five-est-mort-lundi-a-l-age-de-91-ans_836481" target="_blank">Le réalisateur Chris Marker est mort</a> - Libération</li>
<li><a href="http://www.chrismarker.org/immemory-by-chris-marker/">mmemory by Chris Marker — Notes from the Era of Imperfect Memory</a> (<a href="http://www.chrismarker.org/">www.chrismarker.org</a>)</li>
<li>Homenagem do INA: <a href="http://www.ina.fr/playlist/art-et-culture/chris-marker.305773.CAB90013441.oui.fr.html" target="_blank">Video Playlist</a></li>
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</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-6466477332896287964.post-26590877135067904012012-07-30T19:58:00.001+01:002012-07-30T19:58:10.238+01:00Christophe Gin: entre o documentário e o fotojornalismo, onde a Amazônia faz fronteira com a Guiana francesa<div class="separator" style="clear: both; text-align: center;">
<a href="http://a1.sphotos.ak.fbcdn.net/hphotos-ak-ash4/392403_255118887930498_1117281770_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://a1.sphotos.ak.fbcdn.net/hphotos-ak-ash4/392403_255118887930498_1117281770_n.jpg" /></a></div>
<article class="main-content" style="background-color: white; border-bottom-color: rgb(220, 220, 220); border-bottom-style: solid; border-bottom-width: 1px; font-family: 'Helvetica Neue', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 16px; padding-bottom: 40px; position: relative; text-align: justify;"><h2 style="border: 0px; font-family: inherit; font-size: 24px; line-height: 36px; margin: 1em 0px 53px; padding: 0px; text-align: center; word-wrap: break-word;">
Présentation détaillée de mon projet</h2>
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<em style="border: 0px; font-family: inherit; font-size: 16px; line-height: inherit; margin: 0px; padding: 0px;"><strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">Un road movie photographique amazonien dans un des derniers espaces de liberté. Terre de contrastes souvent méconnue, toujours mythifiée, l’Amazonie reste un des derniers espaces de liberté. Un monde où l’on poursuit sa quête au détriment des lois, de la nature et parfois de soi... Faites partie de l'aventure.</strong></em></div>
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La plus longue frontière française côtoie le Brésil le long de l’Oyapock dans l’Est guyanais. Ce fleuve est une voie de communication naturelle entre les deux pays. Alors que l’environnement a acquis une valeur de bien commun et que sa protection devient un enjeu majeur, la France et le Brésil travaillent à l’achèvement d’une liaison routière à l’utilité discutée… </div>
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L’ouverture en 2003 de la Route Nationale 2 permet le désenclavement de l’Est guyanais et crée un accès routier depuis Cayenne jusqu’à la frontière brésilienne. Le Brésil travaille à son expansion et termine maintenant la mise au norme de la BR156, une piste de 600 km qui relie la frontière à Macapá sur l’embouchure de l’Amazone. La construction d’un pont sur le fleuve relie maintenant la Guyane à l’état brésilien de l’Amapà et plus globalement l’Europe et le Mercosul.</div>
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Le bassin de l’Oyapock reste le berceau de différentes communautés amérindiennes, créoles ou brésiliennes qui acceptent difficilement les réalités de la frontière et vivent indifféremment sur la rive droite ou la rive gauche du fleuve. Eldorado européen, la Guyane attire. À présent, le pont géopolitique de l’Oyapock devient une barrière dans un espace de libre passage. Avec sa mise en service, il va falloir bloquer les marchandises non conformes aux normes européennes et les voyageurs clandestins, c’est à dire l’essentiel du trafic.</div>
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D’un côté de l’Oyapock, une bourgade tropicale indolente, de l’autre, une cité fourmilière. Chaque jour, attirés par les salaires guyanais, des dizaines de brésiliens passent clandestinement la frontière pendant que guyanais partent se ravitailler à bon marché sur la rive brésilienne.</div>
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Saint Georges de l'Oyapock, 4000 habitants, à 190 Km de Cayenne et 12 minutes de pirogue d’Oiapoque. Sa jumelle brésilienne compte cinq fois plus d’habitants mais avec un salaire minimum quatre fois moins élevé. Le 7 de chaque mois, au moment du versement des prestations sociales, St Georges s’anime. Pendant 48h, les commerçants s’activent et le distributeur d’argent s’essouffle. Sur la place, les buveurs de rhum de l’administration pestent contre les buveurs de bière demandeurs d’emploi... Entre temps, rien.</div>
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En face, Oiapoque, ville champignon de transit, envahie par la boue ou la poussière ne s'arrête jamais. Vingt-quatre heures sur vingt-quatre, les haut-parleurs crachent de la pop latina ou des sermonts pentecôtistes. La bourgade de <i>faroeste tropical </i>attend fébrilement l’ouverture de la liaison routière qui reliera ce bout de Brésil à la France. Ici, les passants ne ressemblent en rien aux cariocas à paillettes. Venus du Nord défavorisé, ils tentent leur chance à la frontière en quête d’Eldorado européen. Pour beaucoup l’aventure s’arrête aux pieds du pont. </div>
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«Aqui começa o Brasil », annonce l’écriteau sur la berge d’Oiapoque, « là où le Brésil s’arrête » devrait-on traduire à la veille de l’ouverture du pont transfrontalier.</div>
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Je commence à travailler dans la région en 2003, à l'occasion de la construction d'un premier pont qui permet le franchissement de l'Approuague et relie par la route Cayenne à la frontière Brésilienne. Finalement, samedi 28 mai 2011, vers 22h30, la jonction entre les deux rives du tablier du pont sur l’Oyapock se concrétise. Les travaux plusieurs fois retardés sont maintenant terminés. Aujourd'hui le pont est prêt, mais la route qui y mène est en mauvais état et retarde l’inauguration de l’ouvrage, prévue fin 2012 ou début 2013.</div>
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<strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">ACCOMPAGNEZ MOI.</strong></div>
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LE PONT DES ILLUSIONS nous emmène dans un road movie tropical, de Cayenne à Macapá, sur la piste de ce nouveau mirage européen au coeur de l‘Amazonie.</div>
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<strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">Suivez l'aventure et partagez <em style="border: 0px; font-family: inherit; font-size: 16px; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px;">LE PONT DES ILLUSIONS</em> sur facebook : Facebook.com/</strong><a href="http://facebook.com/LEPONTDESILLUSIONS" style="border: 0px; color: #54bbec; font-family: inherit; font-size: 16px; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; word-wrap: break-word;" target="_blank"><strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">LE PONT DES ILLUSIONS</strong></a></div>
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<strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">QUI SUIS-JE?</strong></div>
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<strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">Christophe Gin</strong>, je suis photographe. Le bien, le mal, les bons contre les méchants, cette vision bien pensante qu’a le monde de lui même m’ennuie profondément et explique sans doute la facilité avec laquelle j’ai laissé la photographie m’attraper.</div>
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Ma première série, <a href="http://picturetank.com/___/series/ef15adb1a3d9413bcd6ef5524136fde6/fr/o/GIC_Nathalie,_conduite_de_pauvret%C3%A9_%2829490%29.html" style="border: 0px; color: #54bbec; font-family: inherit; font-size: 16px; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; word-wrap: break-word;" target="_blank"><strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">Nathalie, conduite de pauvreté </strong></a>(1994-2001), explore les rouages de la misère à l’aube du XXIème siècle. Paris, 1994, le travail de commande que je réalise alors pour la presse s’arrête souvent au constat d’une situation. Je m’interroge sur les logiques qui génèrent et maintiennent cette pauvreté. Je décide de me concentrer sur une tranche de vie pour tenter d’y parvenir et rencontre Nathalie qui accepte ma présence et m’autorise à partager photographiquement son quotidien. L’aventure durera sept ans. </div>
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A l’issue de ce huis clos photographique je dois respirer et ne veux pas m’enfermer en déclinant le procédé. J’ai besoin de nouvelles expériences. Ce sera finalement de nouveaux horizons ; la Guyane m'attire.</div>
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Dans ma seconde série, <a href="http://picturetank.com/___/series/08a5a54ef926798ecfb9bf48847774f9/fr/o/GIC_Eldorado_do_Juma_%2829487%29.html" style="border: 0px; color: #54bbec; font-family: inherit; font-size: 16px; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; word-wrap: break-word;" target="_blank"><strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">L'argent du pauvre </strong></a>(2001-2006), je documente la vie des chercheurs d’or, essentiellement des pauvres gens sans réel autre choix de vie. Je pénètre dans quelque chose de très archaïque, dans une mythologie de ce qui anime l’homme, un espace où l’on poursuit ses rêves au détriment des lois, de la nature et de soi-même. Pas de jugement de valeur, ces hommes m’apprennent la vie. L’Europe découvre l’écologie, les "bourreaux de l’Amazonie" m’enseignent la forêt. </div>
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Dans ma troisième série, <strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">Terras inc</strong><strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">ó</strong><strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">gnitas </strong>(2007-2012), j’entreprends un travail sur la conquête du territoire. Plus qu’un mythe, l’Amazonie est une frontière humaine en perpétuel mouvement. Les militaires brésiliens invoquent la sécurité nationale pour participer à son occupation territoriale dans les années 60, l’église le fait au nom de Dieu, l’état et les entreprises s’y engouffrent aujourd’hui au nom du développement économique. Ici on vit lancé dans une marche organisée vers la colonisation. Je poursuis ce travail en cours. </div>
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Je suis représenté par la coopérative de photographes <strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">Picturetank</strong>.</div>
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Pour en savoir plus :</div>
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Présentation de mon travail : <em style="border: 0px; font-family: inherit; font-size: 16px; line-height: inherit; margin: 0px; padding: 0px;"><strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;"><a href="http://www.christophegin.com/" style="border: 0px; color: #54bbec; font-family: inherit; font-size: 16px; font-style: normal; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; word-wrap: break-word;" target="_blank">Christophegin.com</a></strong></em></div>
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Un projet IN<strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">IMAG</strong>INABL<strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">E : <em style="border: 0px; font-family: inherit; font-size: 16px; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px;"><a href="http://www.inimaginable.org/" style="border: 0px; color: #54bbec; font-family: inherit; font-size: 16px; font-style: normal; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; word-wrap: break-word;" target="_blank">Inimaginable.org</a></em></strong></div>
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Picturetank : <em style="border: 0px; font-family: inherit; font-size: 16px; line-height: inherit; margin: 0px; padding: 0px;"><strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;"><a href="http://picturetank.com/photographer.php?id=674" style="border: 0px; color: #54bbec; font-family: inherit; font-size: 16px; font-style: normal; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; word-wrap: break-word;" target="_blank">Picturetank.com</a></strong></em></div>
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<a href="http://www.inimaginable.org/" style="border: 0px; color: #54bbec; font-family: inherit; font-size: 16px; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; word-wrap: break-word;" target="_blank"><img src="http://img4.hostingpics.net/pics/896393logo300.jpg" style="border: 0px; display: block; font-family: inherit; font-size: 16px; line-height: 1; margin: 0px auto; max-width: 540px; padding: 0px;" /></a></div>
</article><article style="background-color: white; border-bottom-color: rgb(220, 220, 220); border-bottom-style: solid; border-bottom-width: 1px; font-family: 'Helvetica Neue', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 16px; padding-bottom: 40px; position: relative; text-align: justify;"><h2 style="border: 0px; font-family: inherit; font-size: 24px; line-height: 36px; margin: 1em 0px 53px; padding: 0px; text-align: center; word-wrap: break-word;">
À quoi servira ma collecte ?</h2>
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Ce fonctionnement est pour moi inédit et en vous joignant à ce road movie amazonien vous allez participer à un mode alternatif de financement. Votre soutien me permettra d'achever ce projet débuté en 2003, à l'heure de l'ouverture de cette liaison terrestre inédite entre la France et le Brésil.</div>
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<a href="http://www.kisskissbankbank.com/fr/projects/3988#" style="border: 0px; color: #54bbec; font-family: inherit; font-size: 16px; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; word-wrap: break-word;" target="_blank"><img alt="" src="http://img4.hostingpics.net/pics/987171motifscdc.jpg" style="border: 0px; display: block; font-family: inherit; font-size: 16px; line-height: 1; margin: 0px auto; max-width: 540px; padding: 0px;" /></a></div>
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Les contreparties s'adressent évidemment aux amateurs de photographie, mais aussi à tout ceux qui souhaitent s'associer sans idées préconçues ni faux romantisme à la découverte des réalités du bassin amazonien.</div>
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Pas d'hôtels 5 étoiles ni de voyage en 1ère classe, là où je vous emmène, les pirogues, les bus ou le régime alimentaire sont les mêmes pour tous (enfin presque). Je sollicite aujourd'hui la communauté des kisskissbankers pour pouvoir mener à terme ce travail photographique et vous le proposer en occupant l’espace publique le temps de l’affichage d’une image de ce reportage.</div>
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Les fonds collectés serviront à prendre en charge les frais de production de l’ensemble du projet : réalisation et affichage.</div>
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- <strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">Transports</strong> (avion, taxi collectif, bus, pirogue) : <strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">2700,00 €</strong></div>
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- <strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">Hébergement, repas</strong> (45 jours de reportage) : <strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">1500,00 €</strong></div>
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- <strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">Moyens techniques</strong> (films photo,consommables) : <strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">650,00 €</strong></div>
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- <strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">Postproduction</strong> (développement de 100 films, numérisation, traitement des images) : <strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">3450,00 €</strong> </div>
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- <strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">Campagne d'affichage </strong>:<strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;"> </strong><strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">2000,00 €</strong></div>
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<strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">TOTAL : 10300</strong><strong style="border: 0px; font-family: inherit; font-size: 16px; font-style: inherit; line-height: 1; margin: 0px; padding: 0px;">,00 €</strong></div>
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Pas besoin de moustiquaire pour participer à l'aventure, il suffit de réaliser ensemble cette collecte. </div>
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Agradece pela preferência. </div>
<div style="border: 0px; font-family: inherit; font-size: 16px; line-height: 1.3em; padding: 0px 1em 0px 3.5em; word-wrap: break-word;">
<span style="font-family: inherit; font-size: 16px; line-height: 1.3em;"><a href="http://www.facebook.com/LEPONTDESILLUSIONS" target="_blank">Christophe Gin</a></span><span style="background-color: white; font-family: inherit; font-size: 16px; line-height: 1.3em;"> - </span><a href="http://inimaginable.org/" style="background-color: white; font-family: inherit; font-size: 16px; line-height: 1.3em;" target="_blank">Site</a></div>
</article><a href="http://www.kisskissbankbank.com/fr/projects/3988" target="_blank">link</a><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-6466477332896287964.post-6494553874818562072012-07-30T17:55:00.000+01:002012-07-30T17:57:09.347+01:00"Intriguing Portraits of Congolese Wrestlers" de Colin Delfosse<div class="separator" style="clear: both; text-align: center;">
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<a href="http://colindelfosse.blogspot.com/">Colin Delfosse</a> was in the Democratic Republic of the Congo (DRC) documenting conditions in copper mines when, returning to Kinshasa one evening, he saw a masked man perched atop a car, leading a procession of drummers and several dozen men and children.<br />
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Intrigued, the Belgian photographer began asking around and learned that what he had witnessed was the afternoon build-up to one of the city’s most popular sports: wrestling. In a country that, from 1998 to 2003, was the center of one of the bloodiest conflicts since World War II—8.4 million people killed from eight countries—one wouldn’t expect to find crowds clamoring to watch men pretend to beat each other up, Hulk Hogan-style. But influenced by broadcasts of American wrestling in the 1970s, the Congolese adapted the sport, bringing their own spin—parades, voo-doo and body paint. The sport is so firmly entrenched that even the president’s body guard is a popular wrestler, known as “Etats-Unis,” and one of Kinshasa’s district mayors even sponsored a match to celebrate the 50th anniversary of the country’s independence from Belgium.<br />
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In the DRC, there are two branches of the sport. The first is the more recognizable WWE SmackDown-brand, villain vs. villain match, where wrestlers craft costumes out of spandex, wear masks and choreograph a physical tussle. The second, called fetish wrestling, involves opponents, wearing antelope horns or fake machetes through their skull, dancing, casting spells and using witchcraft to combat each other.<br />
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“The classic wrestlers consider themselves more important,” says Delfosse, of the group who have day jobs as taxi drivers or bouncers. “They train hard, lifting weights every day. The fetish wrestlers have more of a rock’n’ roll lifestyle—they sit around, drinking beer and smoking weed.”<br />
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Gaining his subjects’ cooperation took a while; it was months before Delfosse was able to ride with wrestlers to and from the matches (protection he was relieved to get, as in the early days he was roughed up coming home from a match in a dangerous neighborhood and his cameras smashed). But even with that access, photography is viewed with suspicion, and getting portraits of the wrestlers often took a few hours of negotiation. “They always think you’re going to earn millions from the photo. They’re reluctant and they want to be paid. So you drink a beer with them, and tell them no, you’re not going to get rich,” said Delfosse. “Sometimes four hours later, I can take their picture. You have to be patient.”<br />
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Working inside the wrestling scene changed Delfosse’s feelings about Kinshasa. He admitted he hated the noisy, chaotic capital—considered one of the most dangerous in Africa, with a homicide rate almost six times greater than the continent as a whole—when he arrived. While the violence that still pervades the society is just below the surface of the matches—Human Rights Watch documented a mass rape, abduction and torture in a couple of eastern villages just last year—the sport showed Delfosse a different side of the Congolese. “They’re surviving day-to-day. There are no jobs, no infrastructure. When they wake up they don’t know what they’re going to eat for dinner that night,” he said. “It’s hard and tough, but this is a way to show they kept their sense of humor.”<br />
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*click on images for a larger view*<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDo3_-ZQOZe7JodJAXaEfxPHycDFti88juYBEb1wGiphoxyWItASf8Js1u__xfv3rAwW-KJVlpmtCafZeIGQRj-qZ0UWYLES7AqQlkBaS4i8JZpMwInIYAG24Aj652ENoUh-iJ5wUduig/s1600/Colin+Delfosse+.jpeg" imageanchor="1" style="color: #444444; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDo3_-ZQOZe7JodJAXaEfxPHycDFti88juYBEb1wGiphoxyWItASf8Js1u__xfv3rAwW-KJVlpmtCafZeIGQRj-qZ0UWYLES7AqQlkBaS4i8JZpMwInIYAG24Aj652ENoUh-iJ5wUduig/s640/Colin+Delfosse+.jpeg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.199219) 0px 0px 0px; border-bottom-left-radius: 0px; border-bottom-right-radius: 0px; border-top-left-radius: 0px; border-top-right-radius: 0px; border: 1px solid transparent; box-shadow: rgba(0, 0, 0, 0.199219) 0px 0px 0px; padding: 8px; position: relative;" width="640" /></a><br />
<a href="http://colindelfosse.blogspot.com/" style="color: #444444; text-decoration: none;" target="_blank"><span style="color: red;">Colin Delfosse</span></a><br />
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<a href="http://colindelfosse.blogspot.com/" style="color: #444444; text-decoration: none;" target="_blank"><span style="color: red;">Colin Delfosse</span></a><br />
<span style="background-color: black; font-family: Georgia, 'Bitstream Charter', serif; line-height: 18px;"><span style="color: #f3f3f3; font-size: medium;">“The classic wrestlers consider themselves more important,” </span></span><br />
<span style="background-color: black; font-family: Georgia, 'Bitstream Charter', serif; line-height: 18px;"><span style="color: #f3f3f3; font-size: medium;">says Delfosse, of the group who have day jobs as taxi drivers or bouncers. “They train hard, lifting weights every day. The fetish wrestlers have more of a rock’n’ roll lifestyle—they sit around, drinking beer and smoking weed.”</span></span><span style="background-color: white; border-width: 0px; font-family: Georgia, 'Bitstream Charter', serif; font-size: 12px; line-height: 18px; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span><br />
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<a href="http://colindelfosse.blogspot.com/" style="color: #444444; text-decoration: none;" target="_blank"><span style="color: red;">Colin Delfosse</span></a><br />
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<span style="background-color: black; font-family: Georgia, 'Bitstream Charter', serif; line-height: 18px;"><span style="color: #f3f3f3; font-size: medium;">“They always think you’re going to earn millions from the photo. They’re reluctant and they want to be paid. So you drink a beer with them, and tell them no, you’re not going to get rich, Sometimes four hours later, I can take their picture. You have to be patient.” ~ Delfosse</span></span><span style="background-color: white; border-width: 0px; font-family: Georgia, 'Bitstream Charter', serif; font-size: 12px; line-height: 18px; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span><br />
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<a href="http://colindelfosse.blogspot.com/" style="color: #444444; text-decoration: none;" target="_blank"><span style="color: red;">Colin Delfosse</span></a><br />
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<a href="http://colindelfosse.blogspot.com/" style="color: #444444; text-decoration: none;" target="_blank"><span style="color: red;">Colin Delfosse</span></a><br />
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<a href="http://colindelfosse.blogspot.com/" style="color: #444444; text-decoration: none;" target="_blank"><span style="color: red;">Colin Delfosse</span></a><br />
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<a href="http://colindelfosse.blogspot.com/" style="color: #444444; text-decoration: none;" target="_blank"><span style="color: red;">Colin Delfosse</span></a><br />
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<a href="http://colindelfosse.blogspot.com/" style="color: #444444; text-decoration: none;" target="_blank"><span style="color: red;">Colin Delfosse</span></a><br />
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<a href="http://colindelfosse.blogspot.com/" style="color: #444444; text-decoration: none;" target="_blank"><span style="color: red;">Colin Delfosse</span></a><br />
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<a href="http://colindelfosse.blogspot.com/" style="color: #444444; text-decoration: none;" target="_blank"><span style="color: red;">Colin Delfosse</span></a><br />
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<span style="background-color: black; font-family: Georgia, 'Bitstream Charter', serif; font-size: 12px; line-height: 18px;"><span style="color: #f3f3f3;">Since there is no published schedule, wrestlers parade through the streets of Kinshasa to lead the audience to the match before each tournament. Here, classic wrestler Six Bolites spars with fans in front of a passing train in Kinshasa's Masina district.</span></span><span style="background-color: white; border-width: 0px; font-family: Georgia, 'Bitstream Charter', serif; font-size: 12px; line-height: 18px; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span><br />
<a href="http://colindelfosse.blogspot.com/" style="color: #444444; text-decoration: none;" target="_blank"><span style="color: red;">Colin Delfosse</span></a></div>
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Colin Delfosse is a documentary photographer and a founding member of Out of Focus photography collective. He has published in Photo Raw, Eyemazing, VSD, La Libre Belgique, Le Soir, The New York Times, The International Herald Tribune, Jeune Afrique, Polka, View, Time Magazine Light Box, Causette.<br />
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[via <a href="http://outoffocus.be/">outoffocus.be</a> and <a href="http://lightbox.time.com/2011/11/22/rumble-in-the-jungle-ii-congolese-wrestling/#end">Time</a>]<br />
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<a href="mailto:colin@outoffocus.be">colin@outoffocus.be</a> </div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-6466477332896287964.post-15628730090180066102012-07-30T17:35:00.003+01:002012-07-30T17:36:11.003+01:00"Bolivianas": TerraProject de Pietro Paolini<div class="separator" style="clear: both; text-align: center;">
<a href="http://a5.sphotos.ak.fbcdn.net/hphotos-ak-snc7/431184_346655638687863_1710751103_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://a5.sphotos.ak.fbcdn.net/hphotos-ak-snc7/431184_346655638687863_1710751103_n.jpg" width="500" /></a></div>
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In December 2005 Juan Evo Morales Ayma won the Bolivian presidential election. For the first time in the history of the Americas an indigenous person became the president of the republic, and for the first time in Bolivia a president was elected with more than 50% of votes. Morales grew up as a politician, becoming the leader of the "cocalero" movement, fighting for the rights of the Bolivian coca growers. After establishing the MAS party - Movement for Socialism - he was involved with the Bolivian social movement in all the popular revolts of the country. The main goal of the MAS is to give power and integration to the native communities of the country and absolute majority to the population and marginals in all areas of political life: access to education, free health care, support to cooperatives, a return to state management of resources, recognition of indigenous authorities; those are just some of the politics promoted by the government. After the referendum that ratified the new constitution in december 2009, Morales was re-elected for the second time with 64% of votes. Bolivia is in the heart of South America, chaotic geography made up of unending plateaus, salt deserts, rain forests, steppes and gentle hills; 36 indigenous ethnic groups are mixed with the population of this country that is rich in ancestral traditions and contemporary stimuli. These images represent a trip through the country, at a time of change in the popular conscience, without knowing what the future holds, but with the firm belief that there will be no turning back.<br />
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<img src="http://dashboard.picturetank.com/___/jpeg/226aa8141670c0b5c2b97dda45fa2fb3/320/en/o/" style="background-color: white; font-family: 'Lucida Grande', Verdana, sans-serif; font-size: 12px; line-height: 18px; text-align: left;" /><span style="background-color: white; font-family: 'Lucida Grande', Verdana, sans-serif; font-size: 12px; line-height: 18px; text-align: left;"></span><br />
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A view of La Paz, the administrative capital of Bolivia. Located at an altitude of 3,660 metres (12,008 ft), it is the world's highest capital city.</div>
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Evo Morales speaking in La Paz, a few days before the referendum to approve the new political consitution of the state.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282072</div>
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A group of indigenous people organizing themselves in Tihuanaku, the most sacred place in Bolivia, during the traditional ceremony for the inauguration of the president Morales, in january 2010.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282074</div>
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The mine of "Cory Mayo" in the Cerro Rico, Potosì. This mountain was the greatest silver reserve in the history of America. After many centuries of exploitation, now the majority of mines are organized into cooperatives.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282075</div>
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Ernestina is doing a literature course in the barrio "San Juan la colorada" in the suburbs of Santa Cruz. The courses are organized by the government all over the country.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282076</div>
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Declaration of a "territory free from illiteracy" in Cochabamba, where the president Evo Morales was born.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282077</div>
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Inside a depository of coca leaves in the region of Yungas, a worker is relaxing in the middle of a heap of leaves.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0366771</div>
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During the anniversary of the foundation of El Alto. A battalion of women is waiting for the military parade in the main street.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0366758</div>
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The president Evo Morales raising the Bolivian flag during an official ceremony in Oruro.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282078</div>
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Workers looking at the street after strong rain in El Alto, the northeastern suburb of La Paz. It is the poorest city in Bolivia, with a 75% Aymara indigenous population.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282079</div>
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In the early morning some dancers are preparing themselves for the carnival parade in Potosì.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282081</div>
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A view of El Alto the northeastern suburb of La Paz. It is the poorest city in Bolivia, with a 75% Aymara indigenous population.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0366776</div>
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A view of the Uyuni salt desert during the rainy season, when it is covered by a thin layer of water. Under this wide desert 70% of the world's known lithium reserves are located.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0366761</div>
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Pablo, a mechanic in the city of Achacachi. He's very happy about the new structures built by the government.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282073</div>
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A "cocalero" (coca grower) with his sons, in the Yungas region, where 80% of cultivation is dedicated to coca plants. The coca leaves are sacred in Bolivia and are chewed and used in many other ways.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282083</div>
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Some people relaxing after the declaration of a "territory free from illiteracy" in the stadium in Yapacanì, in the region of Santa Cruz.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282080</div>
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Supportes of Evo Morales, a few days before the referendum to approve the new political constitution of the state. Approved on the 25th of January, the new constitution is a strong step towards indigenous rights.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282084</div>
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People waiting for the president at the declaration of a "territory free from illiteracy" in Cochabamba, where the president Evo Morales was born.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282085</div>
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Some musicians are practising for the Bolivian carnival.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282086</div>
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In the studios of Bolivia tv, the national channel, where the presenter is waiting for the live show to start. In the night edition the news is read by a woman in traditional dress.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282104</div>
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A view of the economic center of La Paz, where all the business offices and ministries are located.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282087</div>
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Street sellers in the center of Santa Cruz. Santa Cruz is the centre of the movement against Evo Morales.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282088</div>
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Cuban doctors visiting some flooded villages to leave medicine for people. Many Cuban doctors work in Bolivia due to the exchange policy between the two countries.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0366800</div>
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After a strong landslide in the city of La Paz; a family is trying to save some of their household belongings.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0366764</div>
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After a serious landslide in La Paz, a cemetery was destroyed and the families are looking for their dead.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0366788</div>
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A medical boat anchored along the Rio Ibare, in the north of Bolivia. Puerto Almacèn.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282089</div>
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Street scene in Potosì. Some musicians relaxing after playing.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282091</div>
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The young section of the movement against Evo Morales demonstrating on his arrival in the city. This movement is based in the Eastern part of the country.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282093</div>
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The inauguration day of president Morales, in january 2010. A group of indigenous people leave after the ceremony.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282098</div>
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In the market of the coca growers' federation, some women come to sell their coca leaves. After weighing the sacks they are waiting to be paid.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282099</div>
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On the sacred Sun Island a fisherman is blessing his boat during the "Challa Day". The challa is a typical ritual to bring luck to everyday life.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0366759</div>
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Some men cleaning wooden beams, after transporting them along the Rio Marmorè. Puerto Barador.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0282100</div>
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The inauguration day of president Morales, in january 2010. Some indigenous people waiting for the event.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0291103</div>
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Near the town of Uyuni, the region is one of the poorest in Bolivia.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0366795</div>
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The Well family is part of the Mennonite community in Quattro Canadas, Santa Cruz, one of the largest's communities in South America. One of the 9 brothers in the family is preparing the cart to go into town.</div>
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Pietro Paolini / TerraProject / Picturetank PAP0366804</div>
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The Well family is part of the Mennonite community in Quattro Canadas, Santa Cruz, one of the largest's communities in South America. One of the 9 brothers in the family is for his father after coffee.</div>
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A train is passing in the middle of the Sunday market, in the city of Oruro.</div>
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A woman walking in the streets of Uyuni, the region is one of the poorest in Bolivia.</div>
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A woman is walking in a procession in the center of La Paz, for one of many celebrations before carnival.</div>
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A "cholita" in the streets of El Alto, La Paz.</div>
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People swimming and playing in a lagoon near Trinidad, in the Amazon region of Bolivia. Every Sunday people come from the city to enjoy the water.</div>
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The new stadium in Achacachi, built by the government. The city is the base of the “ponchos rojos” movement, an armed group that supported the candidacy of Morales.</div>
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In the morning a miner is waiting for the other workers to go into the mine, in the Cerro Rico.</div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-6466477332896287964.post-87044320202928981092012-07-30T16:52:00.001+01:002012-07-30T16:54:57.255+01:00Eric Flogny fotografa o Alentejo<table align="center" style="background-color: white; color: black; text-align: center;"><tbody>
<tr><td><img alt="Marie Claire Maison, juillet-aout 2012" class="photo" src="http://www.ericflogny.fr/albums/Actualite/normal/mcm_portugal_normal.jpg" style="cursor: pointer; margin-bottom: 8px;" title="cliquer sur l'image pour zoomer" /></td></tr>
<tr><td align="center"><span class="diaporama_txt" style="color: #888888; font-family: Helvetica, Geneva, Arial, sans-serif; font-size: 12px;">Marie Claire Maison, juillet-aout 2012</span></td></tr>
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<a href="http://www.ericflogny.fr/index.php?album=Actualite&counter=0&id_pic=583&thumb_pos=0">eric flogny photographies</a>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-6466477332896287964.post-5300381749759292992012-07-25T20:59:00.000+01:002012-07-31T21:14:30.937+01:00Começou o Ramadão do ano de 2012<a href="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/ramadan2012/bp23.jpg"><img border="0" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/ramadan2012/bp23.jpg" /></a><br />
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O mundo muçulmano começaram a celebração do seu mês mais sagrado. Durante o Ramadão, mantém-se em jejum desde que amanhece até ao anoitecer, quebrando-o em grandes refeições comunitárias logo que o Sol se esconde. O início do Ramadão antecipa-se todos os anos, uma vez que é calculado com base na observação da lua nova, ocasião que marca igualmente o início do mês lunar muçulmano. De acordo com a doutrina islâmica, o tempo do Ramadão deve corresponder a momentos de introspecção e reavaliação da vida de cada um.<br />
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A Palestinian reads from the Koran during the dawn prayer on the first day of the Muslim holy month of Ramadan at a mosque in the West Bank city of Jenin on July 20. Muslims from Morocco to Afghanistan are steeling themselves for the toughest Ramadan in more than three decades with no food or drink, not even a sip of water, for 14 hours a day during the hottest time of the year. (Mohammed Ballas/Associated Press)<br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo2">2</a>Muslims attend a mass prayer session "Tarawih" marking the beginning of the holy fasting month of Ramadan in a mosque in Makassar of Indonesia's South Sulawesi province on July 20. The Indonesian government set Ramadan to fall on July 21. (Yusuf Ahmad/Reuters) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo2">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo3">3</a> Kashmiri Muslims offer prayers next to parked cars on a road outside a mosque on the first day of the holy month of Ramadan in Srinagar on July 21. (Danish Ismail/Reuters) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo3">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo4">4</a> A Kashmiri Muslim woman prays at the Shah-i-Hamdaan shrine during Ramadan in Srinagar on July 23. Islam's holy month of Ramadan is calculated on the sighting of the new moon and Muslims all over the world are supposed to fast from dawn to dusk during the month. (Tauseef Mustafa/AFP/Getty Images) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo4">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo5">5</a> An Indian Muslim child runs at the Jama Masjid on the first night of Ramadan in New Delhi, India on July 21. (Tsering Topgyal/Associated Press) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo5">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo6">6</a> Pilgrims circle the Kaaba inside the Grand Mosque during the Muslim month of Ramadan in the holy city of Mecca on July 23. (Hassan Ali/Reuters) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo6">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo7">7</a> A Palestinian man reads the Koran outside a mosque in the West Bank city of Jenin on the first day of the Muslim holy fasting month of Ramadan on July 20. (Saif Dahlah/AFP/Getty Images) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo7">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo8">8</a> A man looks into a mirror as he tries on a cap before he buys in a market preparing the holy month of Ramadan in Jakarta on July 19. (Enny Nuraheni/Reuters) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo8">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo9">9</a> People prepare food to sell for iftar (breaking fast) at Chakbazaar during the holy month of Ramadan in Dhaka on July 21. (Andrew Biraj/Reuters) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo9">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo10">10</a> Pakistani truck drivers chant a prayer before breaking their fast on the third day of the Muslim holy fasting month of Ramadan, in Lahore, Pakistan on July 23. (K.M. Chaudary/Associated Press) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo11">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo11">11</a> Muslims attend a mass prayer session "Tarawih" marking the beginning of the holy fasting month of Ramadan in a mosque in Makassar of Indonesia's South Sulawesi province on July 20. (Yusuf Ahmad/Reuters) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo12">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo12">12</a> A Palestinian buys a photograph of the Dome of the Rock at a market in the West Bank city of Nablus on July 19. (Nasser Ishtayeh/Associated Press) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo13">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo13">13</a> Students recite the Holy Koran during Madrasa class at Al-Nour Islamic school in the historic center of Stone Town in the Indian Ocean Island of Zanzibar on July 21. (Thomas Mukoya/Reuters) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo14">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo14">14</a> Muslims attend Friday prayers on a rainy first day of Ramadan in the courtyard of a housing estate next to the small BBC community center and mosque (right) in east London on July 20. (Chris Helgren/Reuters)<br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo15">15</a> Iranian women pray at the shrine of Saint Qassem on the first day of the Muslim holy fasting month of Ramadan in northern Tehran, Iran, on July 21. Over a billion Muslims around the world have begun observing the holy month of Ramadan, expected to abstain during daylight hours from food, drink and smoking to focus on spirituality. Ramadan starts with the sighting of the new moon, but it varies because Muslim countries and groups use different ways of calculating when the new moon crescent is sighted. (Vahid Salemi/Associated Press) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo15">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo16">16</a> Kashmiri Muslim children pray at a Muslim religious school during the holy month of Ramadan in Srinagar, India, on July 24. (Mukhtar Khan/Associated Press) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo16">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo17">17</a> Afghan girls read the Koran during the Muslim holy month of Ramadan at a mosque in the city of Jalalabad, the provincial capital of Nangarhar province, east of Kabul, Afghanistan on July 22. (Rahmat Gul/Associated Press) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo17">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo18">18</a> A Palestinian inmate is reflected in a mirror in a Hamas-run jail in Gaza City as he prays during the holy month of Ramadan on July 23. (Mohammed Salem/Reuters) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo18">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo19">19</a> A Muslim woman offers prayers after having Iftar (fast-breaking) meal during the holy month of Ramadan at the Jama Masjid (Grand Mosque) in the old quarters of Delhi, India on July 21. (Ahmad Masood/Reuters) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo19">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo20">20</a> An Indian worker dries Seviiyan, thin vermicelli, which is used for the preparation of sheerkhorma, a traditional sweet dish prepared by the Muslim community during the month of Ramadan at a food factory in Hyderabad on July 24. (Noah Seelam/AFP/Getty Images) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo20">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo21">21</a> A man prepares cookies to be eaten when breaking fast during the holy month of Ramadan in Kabul, Afghanistan on July 23. (Mohammad Ismail/Reuters)<br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo22">22</a> A Muslim woman offers prayers after having Iftar (fast-breaking) meal during the holy month of Ramadan at the Jama Masjid (Grand Mosque) in the old quarters of Delhi, India on July 21. (Ahmad Masood/Reuters) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo22">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo23">23</a> Thai Muslim women pray in a mosque in the southern province of Pattani, Thailand on July 23. (Surapan Boonthanom/Reuters) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo23">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo24">24</a> A Yemeni man reads verses of the Koran, Islam's holy book, on the third day of the fasting month of Ramadan in the grand Mosque in the old city of Sanaa on July 22. (Mohammed Huwais/AFP/Getty Images) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo24">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo25">25</a> Indian Muslims offer prayers prior to breaking their fast on the first day of the month of Ramadan at Mecca Masjid in Hyderabad on July 21. (Noah Seelam/AFP/Getty Images) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo25">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo26">26</a> Pakistani volunteers give food to people gathered at a local mosque to break their fast during the holy month of Ramadan in Islamabad, Pakistan, on July 24. (B.K. Bangash/Associated Press)<br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo27">27</a> Indian Muslims break fast on the first day of the month of Ramadan at Mecca Masjid in Hyderabad on July 21. (Noah Seelam/AFP/Getty Images) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo27">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo28">28</a> Kashmiri Muslims pray at the Shah-i-Hamdaan shrine during Ramadan in Srinagar on July 23. (Tauseef Mustafa/AFP/Getty Images) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo28">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo29">29</a> Indonesian Muslim men sleep as they wait for the time to break their fast at Istiqlal Mosque in Jakarta, Indonesia, on July 23. (Tatan Syuflana/Associated Press)<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo29">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo30">30</a> Taken with a time lapse exposure, a Indian Muslim man stands in front of the Jama Masjid as he and other worshippers leave following the breaking of the fast and prayers on the first night of Ramadan in New Delhi, India on July 21. (Kevin Frayer/Associated Press) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo30">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo31">31</a> A Palestinian boy plays with fireworks as he celebrates the start of the Muslim holy month of Ramadan in Gaza City on July 20. (Hatem Moussa/Associated Press) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo31">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo32">32</a> Indonesians line up to receive free porridge provided by a mosque to break their fast during the first day of the holy month of Ramadan in Solo, Central Java, Indonesia on July 21. (Associated Press) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo32">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo33">33</a> Egyptian Sheikh Hassan Saeed al-Sakandarany (right) teaches worshippers how to recite from the Koran at the Amr Ibn Al-As mosque in Cairo, Egypt, during the first day of Ramadan on July 20. (Amr Nabil/Associated Press) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo33">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo34">34</a> A Kashmiri Muslim prays on a busy street on the first day of Ramadan in Srinagar, India on July 21. (Mukhtar Khan/Associated Press) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo34">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo35">35</a> Pakistani workers chant after attending the daily Asr prayer, the afternoon prayer, on a street median a day before the start of the Muslim holy fasting month of Ramadan, on the outskirts of Islamabad, Pakistan on July 20. (Muhammed Muheisen/Associated Press) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo35">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo36">36</a> Indian Muslim children pray after breaking their fast on the first night of Ramadan in New Delhi, India on July 21. Muslims throughout the world are marking the month of Ramadan, the holiest month in Islamic calendar. (Kevin Frayer/Associated Press) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo36">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo37">37</a> An Indonesian man reads the Koran as he waits for the time to break his fast during the first day of Ramadan at a mosque in Medan, North Sumatra, Indonesia on July 21. (Binsar Bakkara/Associated Press) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo37">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo38">38</a> Iranian women look at copies of Islam's holy book, the Koran, during a Koran exhibition, at the Imam Khomeini grand mosque, a day prior to Muslims holy fasting month of Ramadan in Tehran on July 20. (Vahid Salemi/Associated Press) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo38">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo39">39</a> A young Indian Muslim girl dances at the Jama Masjid on the first night of Ramadan in New Delhi on July 21. (Tsering Topgyal/Associated Press) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo39">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo40">40</a> A Pakistani boy prays next to plates of fruits donated to worshippers to break their fast, on the first day of the holy fasting month of Ramadan, in a mosque in Karachi on July 21. (Shakil Adil/Associated Press) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo40">#</a><br />
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<a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo41">41</a> Kashmiri Muslim children recite verses from the Koran at a Muslim religious school, during Ramadan in Srinagar, India on July 24. Muslims across the world are observing the holy fasting month of Ramadan, where they refrain from eating, drinking and smoking from dawn to dusk. (Mukhtar Khan/Associated Press) <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html#photo41">#</a><br />
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<i>fotos de <a href="http://www.boston.com/bigpicture/2012/07/ramadan_2012_begins.html">Lloyd Young</a></i>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-6466477332896287964.post-73809795777720942112012-07-24T23:56:00.002+01:002012-07-24T23:56:33.867+01:00Fazenda Aruanã : o Amazonas exportando os frutos da sustentabilidade<div class="separator" style="clear: both; text-align: center;">
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Quando se conhece a terra em que se planta, quando se suja a mão que nela toca, é possível construir o futuro por meio dela. E a semente dá bons frutos. Que o diga o engenheiro agrônomo Gabriel Teixeira Neto, 77, há mais de 40 anos no ramo da agroindústria, sendo mais da metade desse tempo dedicado ao cultivo da castanha-do-brasil (Bertholletia excelsa) na fazenda Aruanã, da qual é diretor administrativo.<br />
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Localizada no quilômetro 213 da AM – 010 (Manaus-Itacoatiara), a fazenda Aruanã conta, atualmente, com uma área de 12 mil hectares, onde há mais de 1,2 milhão de árvores, a maior plantação de castanha do Brasil, exemplo para outras regiões do país. No local, o plantio cresce a todo o vapor, e o que é melhor, de forma sustentável.<br />
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A propriedade também possui o maior reflorestamento registrado pelo Instituto Brasileiro de Meio Ambiente e Recursos Naturais Renováveis (Ibama) do Amazonas. O engenheiro agrônomo lembra que os primeiros plantios começaram em 1981. Segundo ele, foram investidos, aproximadamente, R$ 10 milhões em infraestrutura, mão de obra, produção e logística.<br />
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Desde o início da década de 80, a fazenda realiza a reposição florestal obrigatória por lei para as maiores empresas madeireiras do Amazonas, por meio de plantios aprovados e fiscalizados pelo Ibama. De acordo com Teixeira Neto, no ano passado, mais de 200 mil mudas produzidas pela Aruanã foram utilizadas em programas oficiais de recuperação de área degradadas em diversas comunidades no Amazonas e Roraima.<br />
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O engenheiro agrônomo explica que a fazenda tem a capacidade de atender à demanda de até 800 mil mudas de castanheiras ao ano, prontas para o plantio (raiz nua ou em sacos plásticos) ou pré-germinadas.<br />
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Ana Luiza Vergueiro, uma das coordenadoras da fazenda, destaca que de 2006 até 2011, por meio do Instituto Excelsa, entidade sem fins lucrativos, foram distribuídas gratuitamente 380.034 mudas de castanheiras e palmeiras de pupunha para mais de 800 famílias de 62 comunidades de Itacoatiara, Silves, Rio Preto da Eva, Presidente Figueiredo e do Anamã.<br />
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Em breve, esses pequenos agricultores serão certificados como orgânicos e poderão se tornar nossos fornecedores de castanha-do-brasil, recebendo preços justos pela sua produção e, simultaneamente, valorizando a ‘floresta em pé’. Entre as perspectivas e metas da fazenda Aruanã, há o objetivo de se formar a 1ª “Região de Denominação de Origem Controlada de Castanha-do-Brasil” do mundo, e de forma sustentável.<br />
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<b>Sobre a castanha</b><br />
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A castanha-do-brasil é também conhecida como a castanha-da-amazônia e castanha-do-pará. Trata-se de uma árvore ligada intimamente à cultura das populações tradicionais da Amazônia. Seus produtos e subprodutos são utilizados há varias gerações, como fonte de alimento e renda. Uma castanheira pode atingir facilmente a altura de 50 metros, com idade estimada entre 800 e 1,2 mil anos. O fruto da castanheira é chamado de ouriço, pesa, aproximadamente, um quilo, e pode conter de 15 a 24 sementes (castanhas).<br />
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<b>Fazenda Aruanã, Amazônia – AM
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Criação de critérios para ocupação rural na Amazônia. <br />
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<b>Conceito do Projeto:</b><br />
Pelo Código Florestal, pode-se ocupar 50% da propriedade e deve-se preservar outros 50%.
Criação de norma de projeto. Em co-autoria com o Eng. Agr. Sérgio Vergueiro, elaboramos projetos na região amazônica centrados na idéia de criar bolsões de abertura de mata para uso agrícola, dispersos na área total da propriedade. Pelo Código Florestal, pode-se ocupar 50% da propriedade e deve-se preservar outros 50%. Esta diretriz veio em contraposição à tendência de abrir metade da propriedade e preservar ao outra metade, criando assim, a possibilidade do proprietário vender a metade coberta de matas naturais para terceiros, os quais por sua vez também derrubariam uma metade. Esta última tendência terminaria com a derrubada total das matas.<br />
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Vista aérea da Fazenda Aruanã, Itacoatiara, AM, seguindo tais diretrizes. A área está ocupada por um reflorestamento de castanheiras-do-pará, onde não tem nenhum lugar ocupado pelo reflorestamento que diste mais de 1500 metros da floresta nativa, o que é altamente importante para a polinização da cultura cujos insetos vivem na floresta.
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</div>Unknownnoreply@blogger.com8tag:blogger.com,1999:blog-6466477332896287964.post-83062711400384939942012-07-24T08:27:00.000+01:002012-07-25T08:33:56.344+01:00VII Festival Amazonas de Jazz<div class="separator" style="clear: both; text-align: center;">
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Começa, n<span style="background-color: white; color: #333333; font-family: Georgia; font-size: 17px; line-height: 22px; text-align: justify;">esta terça-feira(24), 7ª edição do Festival Amazonas de Jazz. O evento é parte do calendário cultural do Estado, a exemplo de outros festivais como o de ópera e o de cinema. O festival vai contar com 11 apresentações e sete dias de workshops voltados para profissionais da área que terão a oportunidade de aperfeiçoarem seus conhecimentos por meio dos cursos, palestras e oficinas ministrados pelos músicos que vêm participar do festival.</span><br />
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A abertura será com a apresentação da Amazonas Band ao lado do pianista Gilson Peranzzetta e do flautista e saxofonista Mauro Senise (na foto), uma dupla que está junta há 20 anos. Também na noite do dia 24, sobe ao palco o Zimbo Trio formado pelo pianista Amilton Godoy, o baterista Pércio Sápia e o baixista Marinho Andreotti. O Zimbo Trio conquistou o prêmio de melhor grupo instrumental na 23ª edição do Prêmio de Música Brasileira,com o álbum Autoral.</div>
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Outro destaque do festival deste ano é o homenageado do evento, o saxofonista amazonense Teixeira de Manaus. Teixeira é considerado um personagem que retrata a cultura popular e a memória afetiva dos amazonenses.</div>
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Lenda do jazz cubano já chegou a Manaus</h1>
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Uma das atrações mais aguardadas do 5° Festival Amazonas Jazz, o cubano Paquito D’Rivera já está em Manaus e revela ter ficado encantado com a receptividade do povo amazonense. “Conhecer a capital amazonense é um sonho meu desde criança. Chegar aqui e receber todo esse carinho me deixa mais encantado pelo Amazonas”, comenta.<br />
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Considerado uma lenda viva do latin jazz, Rivera já ganhou nove Grammy’s e foi um dos dois únicos no mundo a ganhar nas duas categorias na qual foi indicado: Jazz e Clássico. No 5º FAJ, Paquito D’Rivera irá se apresentar ao lado do pianista alemão, Vana Gierig, do baixista Sean Conly, do baterista Marcello Pellitteri e do percussionista Vinícius Barros.<br />
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Paquito tem em seu curriculos shows realizados nos mais respeitados palcos do mundo como do Japão, Europa e nas três américas. Tocou ao lado dos maiores nomes da música internacional, entre eles: Dizzy Gillespie, Arturo Sandoval, Cláudio Roditi, Carmen McRea, McCoy Tyner e Toots Thielemans. Agora, no 5º Festival Amazonas Jazz, Paquito D’Rivera irá dividir o palco do Teatro Amazonas com a banda de Vana Gierig na próxima terça-feira (20), às 21h.</div>
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Vinícius Dorin abre Festival de Jazz em Manaus</h1>
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Ele é um dos maiores instrumentistas do Brasil e trabalhou com Gal Gosta no CD ‘Plural’. Hoje, participa do grupo de Hermeto Pascoal e da Banda Mantiqueira, além de liderar seu próprio quinteto. Ele é o saxofonista Vinícius Dorin, que abre a programação, em Manaus, do 5º Festival Amazonas Jazz (5º FAJ), nesta segunda-feira. Além dele, subirá ao palco do Teatro Amazonas o Trio Bonsai Machine composto por Paulo Braga, no piano, Mané Silveira, no sax e na flauta, e Guello na percussão.<br />
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As apresentações vão acontecer no Teatro Amazonas e a programação completa do festival, que vai até o dia 24, está disponível no www.festivalamazonasjazz.com.br. Os ingressos estão à venda na bilheteria do local e custam de R$ 10 a R$ 30. Estudantes pagam meia-entrada. O show de Vinícius começa às 19h30 e terá a participação da Amazonas Band.<br />
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Vale lembrar que o saxofonista participou de todos os festivais de jazz realizados em Manaus e na edição do ano passado gravou ao vivo o CD ‘Amazonas Jazz com Vinícius Dorin’, que será lançado no show de hoje. Além das participações que faz nos festivais de jazz no Brasil, Vinícius também já convidado para participar de programações em Nova York, New Orleans, Amsterdã, Porto, Buenos Aires e Bogotá, além de concertos pela América do Sul, Europa e Estados Unidos e Japão.<br />
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Às 21h, é a vez do Trio Bonsai que, com seus quinze anos de experiência e entrosamento, mistura a criatividade do jazz com a brasilidade da MPB. O grupo tem participado de festivais e projetos, entre os quais se destacam o Festival Internacional de Percussiones, no México, Festival Brasil Instrumental, Projeto Rumos do Itaú Cultural, Projeto Pixinguinha e Circular BR.</div>
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Saxofonista amazonense é o grande homenageado da 7ª edição</h1>
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Teixeira de Manaus é um “filho do beiradão”, como ele mesmo se define. Preparando-se para tocar no Teatro Amazonas, na noite do dia 27, ele é o grande homenageado do 7º Festival Amazonas Jazz (FAJ). Com carreira de mais de 30 anos, ele diz que fará sua última apresentação.<br />
Teixeira se tornou sensação tocando músicas dançantes, lambada, salsa, música caribenha, e outros estilos do que ele chama de “pauleira”. Chamado de brega por muitos, e de cult por outros tantos, Teixeira nos concedeu esta entrevista descontraída.</div>
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[Entrevista]</h1>
<b>Você é de Manaus?</b><br />
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Eu sou do “interior de Manaus”. Nasci em frente ao Careiro, na Costa do Catalão, e vim para Manaus com 8 anos. Minha família é de agricultores, mas meu pai disse: “Esse vai estudar”. Fui estudar num internato. Mas fui me envolvendo com música. Comecei a tocar com 18 anos. Aí não deu outra.<br />
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<b>Já era saxofonista naquela época?</b><br />
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Já tocava saxofone, mas também teclado, que na época a gente chamava de órgão. Na época tocava em boates de beira de estrada, nesses bregas da vida. Foi quando o Pinduca veio a Manaus para fazer um show. Ele me viu tocando e falou: “Teixeira, tu tens de gravar”. Eu não entendi, pensava que era para gravar acompanhando ele (risos). Ele mandou preparar umas fitas, com meu trabalho. “Eu vou te gravar”, ele dizia, mas eu achei que era só uma promessa.<br />
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<b>E como foi a gravação?</b><br />
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O Pinduca se tornou meu amigo. Sempre que vinha a Manaus, eu tocava junto, com meu conjunto, o RT4. Ele insistiu como negócio da fita, e eu fiz pra ver no que ia dar. Um belo dia, o telefone toca, era o Pinduca falando que estava tudo certo: “Pega tua mala, umas roupas, compra uma passagem pra São Paulo, e vem”. Desse jeito, eu fui parar na gravadora Copacabana. O Pinduca gravava o disco dele, e depois eu entrava no estúdio.<br />
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<b>Quando foi?</b><br />
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Isso foi em 1979. Nem terminei o disco. Era julho e fazia muito frio. Sou um manauara assíduo, e falei: “Pinduca, termina isso aí”. Achava que era uma loucura do Pinduca. Quando foi novembro, chegou o disco e foi um negócio fora do comum. O disco vendendo, vendendo e “Lambada pra dançar” tocando em todo canto. Falaram que o disco vendeu mais de 100mil cópias, mas eu não acredito em povo de gravadora. Eles falam em 100, deve ter vendido 500.<br />
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<b>Eles pagaram direito?</b><br />
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Rapaz, o artista vive mesmo é dos shows que faz. A porcentagem na venda do disco é muito pequena. Todo mundo falava para eu pedir mais. Mas olha só, eu ligo aqui de Manaus pra São Paulo, e a secretária diz que estão em reunião, para eu esperar. Eu vou ficar na linha, a ligação contando? Nunca mais liguei. Mas eu nunca almejei tanta coisa. Nunca quis ser rico, porque acho que vida de rico é muito agoniada. Você não sabe quem é seu amigo. Só quero ter condições de viver bem. Tive convite para ir para os Estados Unidos, mas eu queria ficar em Manaus, mesmo. O que me encanta é o interior.<br />
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<b>Foram quantos os discos?</b><br />
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Ao todo, gravei 16. Mas tudo, nessa vida, cai. Nada fica por muito tempo. O Carrapicho, por exemplo, fez sucesso muito rápido. Eu fiquei mais tempo. Gravei na Copacabana, Somlivre, RGE. O interior é gigante, e adorava meu trabalho. Em outubro ou novembro saía um disco novo meu, todos os anos. E olha só, em Manaus, eu cheguei a vender mais que o disco do Roberto Carlos. Fiz muitos shows no Norte e Nordeste. Eu nem dava endereço ou telefone. O pessoal ligava e eu mandava dizer que estava viajando. Só para descansar um pouco. Eu gostava mesmo era das festas do interior. Eram bonitas, com gente trepada pelas casas pra ver.<br />
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<b>E por que você parou?</b><br />
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Eu não parei. Só achei que não devia mais gravar. É que veio essa onda dos ‘pirateiros’, não é? As gravadoras pararam de gravar o pessoal. Ainda gravei dois discos em Belém (PA). Em 2008, fiz minha última apresentação, numa festinha de Santa Luzia, no bairro da Compensa. Quando cheguei em casa, falei: “Acho que vou parar... está na hora”. Agora quero passear um pouco, viajar,mas ainda não consegui. Não deu tempo, ainda.<br />
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<b>E o festival de jazz?</b><br />
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Quando recebi o convite pro festival, falei: “Mas eu não toco jazz”. O Rui Carvalho (maestro da Amazonas Band e organizador do festival) disse que era isso mesmo que eles queriam, porque meu som é diferente. Sou muito amigo do pessoal da SEC e não podia recusar. Acho que esse show aí é para eu encerrar, pra fechar com chave de ouro. Estou praticando muito. Minha maior expectativa é sobre mim mesmo. Não sei como vou estar no dia, como vou me comportar. Mas sei que, na hora, vou deixar a música me invadir.</div>
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Zimbo Trio regressa aos palcos de Manaus</h1>
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Após 15 anos de sua última apresentação em Manaus, o conjunto paulista Zimbo Trio retorna ao palco do Teatro Amazonas. Com 48 anos de estrada, o trio atualmente formado pelo pianista Amilton Godoy, o contrabaixista Mario Andreotti e o baterista Pércio Sápia fará o show de abertura da sétima edição do Festival Amazonas Jazz, no dia 24.<br />
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O Zimbo Trio, formado em 1964, é um dos mais longevos grupos da música popular brasileira. Fato mais notável, em se tratando de um grupo instrumental. Gravou criações de grandes compositores, como Vinicius de Moraes, Baden Powell e Tom Jobim, além de acompanhar intérpretes como Norma Bengell, Elizeth Cardoso, Jacob do Bandolim e Elis Regina. Atualmente investem nas composições próprias. </div>
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Conversámos com Amilton Godoy, único remanescente da formação original a tocar no festival. Os outros fundadores foram Luiz Chaves, falecido em 2007, e Rubinho Barsotti, que atualmente se recupera de uma cirurgia. O contrabaixista Itamar Collaço, que também se apresentará neste festival, integrou o grupo entre 2007 e 2010.</div>
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[Entrevista]</h1>
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<b>Como será o repertório desta apresentação?</b><br />
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Queremos mostrar um pouco de nossa história, tocando arranjos importantes em nossa carreira. Procuramos sempre escolher aquilo que consideramos o melhor de diversos compositores brasileiros. Até agora lançamos 51 discos, com trabalhos de outros compositores e também com trabalho autoral, com minhas músicas. Recentemente, recebemos o23º Prêmio da Música Brasileira, como melhor grupo instrumental, e nosso novo disco, “Zimbo Trio Autoral Volume Um”, lançado em 2011, foi muito bem recebido pela crítica. Isso nos deu entusiasmo para fazer o segundo volume. Portanto, nós não paramos no tempo. Temos músicas novas para mostrar. Mas também queremos apresentar nossos clássicos. Vamos equilibrar isso no show.<br />
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<b>Como você encara a música instrumental brasileira feita hoje em dia?</b><br />
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Vem recuperando um terreno que já teve, mas perdeu. Quando iniciamos nossa carreira, havia muitos músicos de qualidade. Fomos praticamente o primeiro trio a fazer sucesso com esse tipo de música, neste formato. As gravadoras logo começaram a investir em outros talentos. Mas houve um retrocesso nas décadas de 1980 e1990. A questão política contribuiu para isso. As letras com questionamentos políticos passaram a ser mais relevantes que os arranjos melódicos. Atualmente vemos uma recuperação, com bastante gente nova talentosa, com propostas interessantes. Os festivais, como este em Manaus, são ótimos espaços para a música instrumental de qualidade.<br />
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<b>Como a música erudita se encontra com a popular?</b><br />
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Olha, este ano fomos convidados para tocar com a Orquestra Sinfônica de São Paulo, executando música erudita. Dessa forma, a música popular ganhou roupagem sinfônica. Fizemos o mesmo com a Orquestra Jazz Sinfônica. Então está havendo esta aproximação no Brasil. As barreiras vão sendo rompidas. Para mim, erudição é conhecimento. E a música popular também é feita por gente que sabe muito bem o que faz. O Hermeto Pascoal, o Egberto Gismonti, são exemplos de pessoas que contribuem para romper essas barreiras.<br />
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<b>Como está a produção do Zimbo Trio atualmente?</b><br />
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Preparamos o segundo volume do disco “Autoral”, com composições que fiz ao longo desses anos. Também estou engajado num projeto intitulado “Publicidade antes do rádio”, com músicas do século 19 e início do 20, quando partituras de piano eram entregues como brinde publicitário pelas empresas. As empresas contratavam compositores pra isso. Tive acesso a muitas partituras e estou preparando um CD com esse resgate histórico. Terá participação de músicos e orquestras. Procuramos manter o espírito da época, mas também modernizar as composições.<br />
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<b>Preparam algo especial para o show em Manaus?</b><br />
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Estivemos aí há mais de dez anos, tocando neste teatro lindo. Não queremos nos ater a um único período de nossa carreira, justamente porque sei que vocês têm dificuldade em encontrar nossos discos à venda nas lojas. Penso que nossos trabalhos de dez anos pra cá continuam um pouco inéditos pra vocês. Seria bacana se o pessoal pudesse ter mais acesso, e por isso é difícil montar o programa, depois de tanto tempo. Mas acredito que faremos uma escolha bonita de repertório.<br />
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<b>Alguma expectativa em relação ao público?</b><br />
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Acredito que será uma experiência muito boa. Depois desses anos todos, estamos ansiosos para ver como está a cidade. Temos amigos de vários Estados brasileiros, inclusive daí, e todos sempre se referem com muito carinho a seus lugares de origem. Quero sentir a receptividade da plateia, mas tenho certeza que vamos ao lugar certo, como público certo.<br />
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<b>Qual seu contato coma música feita no Norte?</b><br />
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O Zimbo Trio sempre fez um trabalho de pesquisa muito grande da música brasileira. Cada região desenvolveu características próprias, um balanço, um suingue, que são inconfundíveis. O Luiz Chaves era paraense e sempre apresentava muita coisa de sua terra. Falava com muito orgulho do carimbó, das comidas, do tucupi com tacacá, ele era um nortista assumido, e isso deixou uma marca na nossa carreira.<br />
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<b>Qual a melhor forma de convidar o público novo a conhecer a música instrumental?</b><br />
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Acho que a música instrumental é um mundo diferente. O público deve se concentrar se sentir a sonoridade. Ali, o músico não se expressa pela palavra, mas pelo som. Você pode fechar os olhos, ou até deixá-los abertos mesmo, mas precisa abrir o coração, sentir como estes músicos transmitem os sentimentos. Precisa entrar um pouco no mundo deles, um mundo de espontaneidade e emoção. O público precisa dar um pouco do seu carinho, do seu silêncio e atenção a eles. A TV nos mostra muita gincana, muita competição, mas a música não é olimpíada, é outra coisa. Os músicos que estarão aí são renomados em seus estilos, não precisam provar mais nada. É uma oportunidade de ouro que a população precisa aproveitar.<br />
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Transmissão ao vivo para todo o Brasil</h1>
sétima edição do Festival Amazonas Jazz traz como uma das novidades a transmissão do evento pela Rádio Nacional FM de Brasília para todo Brasil. A emissora realiza a cobertura do Festival Amazonas Jazz desde 2008 com flashes ao vivo em sua grande de programação, sendo que, em 2012, a transmissão dos shows será ao vivo, com o sinal gerado via satélite para todas as empresas do País.<br />
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A transmissão acontecerá entre os dias 26 e 29 de julho.Segundo o coordenador de jornalismo da Rádio Nacional FM de Brasília, Carlos Senna, a geração para o satélite acontecerá ao mesmo tempo em que a Nacional FM estiver transmitindo, com sinal aberto para todas as emissoras que quiserem retransmitir as apresentações. As transmissões serão geradas também pela internet, no site da EBC: www.ebc.com.br/radionacionalFM Brasília.<br />
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Nos intervalos, a rádio irá gerar uma programação especial com músicas dos artistas que participarão do evento. “Manaus é a capital dos festivais e, hoje, o Festival Amazonas Jazz é considerado um dos maiores de todo o País, sem esquecer da ópera e do cinema”, observa Celso. “Já acompanhamos a riqueza cultural que é o Festival Folclórico de Parintins, então, apostamos na magnitude desse grande evento”.<br />
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A Nacional FM Brasília é uma das emissoras publicas do sistema de rádios da Empresa Brasil de Comunicação (EBC), que conta ainda com a Nacional AM de Brasília, Nacional AM do Rio de Janeiro, Nacional do Alto Solimões e Nacional da Amazônia.<br />
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As equipes da empresa de comunicação cobrem os principais eventos culturais e musicais do Brasil como a Feira da Música de Fortaleza, o Festival de Jazz e Blues de Guaramiranga, no Ceará; o Festival Jazz e Blues de Rio das Ostras, no Rio de Janeiro; o Porto Musical de Recife, o Fest, Bossa & Jazz de Natal e a Feira Música Brasil.</div>
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<strong style="font-style: inherit; margin: 0px; padding: 0px;"> <span _mce_style="text-decoration: underline;" style="font-size: 17px; margin: 0px; padding: 0px; text-decoration: underline;">7º FESTIVAL DE JAZZ – 24 a 29.07.12</span></strong></div>
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<strong style="font-style: inherit; margin: 0px; padding: 0px;">APRESENTAÇÕES</strong></div>
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<strong style="font-style: inherit; margin: 0px; padding: 0px;">Teatro Amazonas –– Apresentações – 24 a 29 de Julho - 19H/ 20H</strong></div>
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<strong style="font-style: inherit; margin: 0px; padding: 0px;"> </strong><strong style="font-style: inherit; margin: 0px; padding: 0px;">24de Julho</strong></div>
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· 19h – AMAZONAS BAND / GILSON PERANZETTA E MAURO SENIZE</div>
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· 21h – ZIMBO TRIO</div>
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<strong style="font-style: inherit; margin: 0px; padding: 0px;"> 25 de Julho</strong></div>
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· 19h – JOYCE </div>
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· 21h – DAVID LIEBEMAN E GUINGA APRESENTANDO MARCELO COELHO </div>
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<strong style="font-style: inherit; margin: 0px; padding: 0px;"> 26 de Julho</strong></div>
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· 19h – AMAZONAS BAND E CONVIDADOS DEVID LIEBMAN E MARCELO COELHO</div>
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· 21h – GRUPO PAU BRASIL</div>
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<strong style="font-style: inherit; margin: 0px; padding: 0px;"> 27 de Julho </strong></div>
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· 19h – TEIXEIRA DE MANAUS</div>
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· 21h – ROBERTO SION & ITAMAR COLLAÇO – CONVIDADO ESPECIAL AIRTON GAÚCHO </div>
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<strong style="font-style: inherit; margin: 0px; padding: 0px;">28 de Julho</strong></div>
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· 19h – KARINE AGUIAR</div>
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· 21h – RON CARTER QUARTET</div>
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<strong style="font-style: inherit; margin: 0px; padding: 0px;"> </strong><strong style="font-style: inherit; margin: 0px; padding: 0px;">29 de Julho - 19h30</strong></div>
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· 19h – EUMIR DEODATO</div>
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<strong style="font-style: inherit; margin: 0px; padding: 0px;"> PROGRAMAÇÃO ACADÊMICA</strong></div>
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<strong style="font-style: inherit; margin: 0px; padding: 0px;">Workshops e Oficinas - 23 a 30 de Julho </strong></div>
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<strong style="font-style: inherit; margin: 0px; padding: 0px;">PALÁCIO DA JUSTIÇA</strong></div>
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<strong style="font-style: inherit; margin: 0px; padding: 0px;">23 de Julho</strong></div>
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· 10h00 – WORKSHOP – PROCESSOS CRIATIVOS - GILSON PERANZETTA E MAURO SENISE</div>
<div _mce_style="text-align: justify;" style="color: #333333; font-family: Georgia; font-size: 17px; line-height: 22px; margin-bottom: 20px; padding: 0px 0px 2px; text-align: justify;">
<strong style="font-style: inherit; margin: 0px; padding: 0px;">24 de Julho</strong></div>
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· 10h – WORKSHOP - PIANO E IMPROVISAÇÃO COM AMILTON GODOY</div>
<div _mce_style="text-align: justify;" style="color: #333333; font-family: Georgia; font-size: 17px; line-height: 22px; margin-bottom: 20px; padding: 0px 0px 2px; text-align: justify;">
<strong style="font-style: inherit; margin: 0px; padding: 0px;">PALACETE PROVINCIAL</strong></div>
<div _mce_style="text-align: justify;" style="color: #333333; font-family: Georgia; font-size: 17px; line-height: 22px; margin-bottom: 20px; padding: 0px 0px 2px; text-align: justify;">
<strong style="font-style: inherit; margin: 0px; padding: 0px;">25 de Julho </strong></div>
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· 10h – WORKSHOP – PERCUSSÃO BRASILEIRA - EMÍLIO MARTINS - CONTEMPORÂNEAA</div>
<div _mce_style="text-align: justify;" style="color: #333333; font-family: Georgia; font-size: 17px; line-height: 22px; margin-bottom: 20px; padding: 0px 0px 2px; text-align: justify;">
<strong style="font-style: inherit; margin: 0px; padding: 0px;"> 26 de Julho </strong></div>
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· 10h– WORKSHOP – CANTO DA MÚSICA POPULAR – KARINE AGUIAR</div>
<div _mce_style="text-align: justify;" style="color: #333333; font-family: Georgia; font-size: 17px; line-height: 22px; margin-bottom: 20px; padding: 0px 0px 2px; text-align: justify;">
<strong style="font-style: inherit; margin: 0px; padding: 0px;">27 de Julho</strong></div>
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· 10h – WORKSHOP - SAXOFONE E IMPROVISAÇÃO – MARCELO COELHO</div>
<div _mce_style="text-align: justify;" style="color: #333333; font-family: Georgia; font-size: 17px; line-height: 22px; margin-bottom: 20px; padding: 0px 0px 2px; text-align: justify;">
<strong style="font-style: inherit; margin: 0px; padding: 0px;">28 de Julho</strong></div>
<div _mce_style="text-align: justify;" style="color: #333333; font-family: Georgia; font-size: 17px; line-height: 22px; margin-bottom: 20px; padding: 0px 0px 2px; text-align: justify;">
· 10h – ESTRATÉGIA DE ABORDAGEM TÉCNICA E METODOLÓGICA PARA ESTUDOS DA IMPROVISAÇÃO – ROBERTO SION</div>
<div _mce_style="text-align: justify;" style="color: #333333; font-family: Georgia; font-size: 17px; line-height: 22px; margin-bottom: 20px; padding: 0px 0px 2px; text-align: justify;">
<strong style="font-style: inherit; margin: 0px; padding: 0px;">30 de Julho</strong></div>
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· 09h – WORKSHOP – AUDIO SONORIZAÇÃO DE EVENTOS AO VIVO – CLEMENT ZULAR</div>
</div>
</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-6466477332896287964.post-79979720119705562242012-07-24T00:15:00.003+01:002012-07-24T00:15:44.645+01:00América Latina<div id="diigo_linkroll"><a target="_blank" id="linkroll_title" href="http://www.diigo.com/user/mcaetano/americalatina"></a><script type="text/javascript" src="http://www.diigo.com/roll2/linkrolls?v=3&username=mcaetano&l_type=0&count=900&desc=0&style=neat&title=Rio20&tags=americalatina"></script><a target="_blank" id="linkroll_title" href="http://www.diigo.com/user/mcaetano/americalatina">ler mais...</a></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-6466477332896287964.post-10784955564596769232012-07-24T00:13:00.001+01:002012-07-24T00:13:21.404+01:00Mundo Árabe<div id="diigo_linkroll"><a target="_blank" id="linkroll_title" href="http://www.diigo.com/user/mcaetano/crisemundoarabe"></a><script type="text/javascript" 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src="http://www.diigo.com/roll2/linkrolls?v=3&username=mcaetano&l_type=0&count=900&desc=0&style=neat&title=Rio20&tags=europa"></script><a target="_blank" id="linkroll_title" href="http://www.diigo.com/user/mcaetano/europa">ler mais...</a></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-6466477332896287964.post-74831806766361792742012-07-23T23:51:00.003+01:002012-07-23T23:51:23.971+01:00Rio + 20<div id="diigo_linkroll"><a target="_blank" id="linkroll_title" href="http://www.diigo.com/user/mcaetano/Rio20"></a><script type="text/javascript" src="http://www.diigo.com/roll2/linkrolls?v=3&username=mcaetano&l_type=0&count=900&desc=0&style=neat&title=Rio20&tags=Rio20"></script><a target="_blank" id="linkroll_title" href="http://www.diigo.com/user/mcaetano/Rio20">ler mais...</a></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-6466477332896287964.post-70514265811559310462012-07-23T23:46:00.003+01:002012-07-23T23:46:42.630+01:00Caso Belo Monte<div id="diigo_linkroll"><a target="_blank" id="linkroll_title" href="http://www.diigo.com/user/mcaetano/belomonte"></a><script type="text/javascript" src="http://www.diigo.com/roll2/linkrolls?v=3&username=mcaetano&l_type=0&count=900&desc=0&style=neat&title=CASO%20BELO%20MONTE&tags=belomonte"></script><a target="_blank" id="linkroll_title" href="http://www.diigo.com/user/mcaetano/belomonte">ler mais...</a></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-6466477332896287964.post-39480553729807175512012-07-23T23:40:00.001+01:002012-07-23T23:45:05.873+01:00Código Florestal<div id="diigo_linkroll"><a target="_blank" id="linkroll_title" href="http://www.diigo.com/user/mcaetano/codigoflorestal"></a><script type="text/javascript" src="http://www.diigo.com/roll2/linkrolls?v=3&username=mcaetano&l_type=0&count=900&desc=0&style=neat&title=CODIGO%20FLORESTAL&tags=codigoflorestal"></script><a target="_blank" id="linkroll_title" href="http://www.diigo.com/user/mcaetano/codigoflorestal">ler 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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiY_MJrAsgX9ZbMCqJTpYfipVsneonA3RVAjTmhc9MDr8UZ_drKwfBQU1nvEp0lE5oO_QakounTjoPPsRyhxDQtq_Wv3kLMD941EUlh6I4r8lRnk39PTnAKZgtFHLJqb1QiQun7w28Iwg6m/s1600/189784571767379823_Osg8wE1e_c.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="474" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiY_MJrAsgX9ZbMCqJTpYfipVsneonA3RVAjTmhc9MDr8UZ_drKwfBQU1nvEp0lE5oO_QakounTjoPPsRyhxDQtq_Wv3kLMD941EUlh6I4r8lRnk39PTnAKZgtFHLJqb1QiQun7w28Iwg6m/s640/189784571767379823_Osg8wE1e_c.jpg" width="640" /></a></div>
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O site suíço <a href="http://www.n7w.com/">New Seven Wonders</a> confirmou, nesta segunda-feira (23), a Amazônia como 7ª Maravilha do Mundo. Com ela, o Brasil passa a ter 3 maravilhas, uma construída pelo homem (o Cristo Redentor) e duas naturais (todas as belezas naturais existentes na Amazônia e as Cataratas do Iguaçu).<br />
<br />
"Foi feito um grande trabalho para a unificação da Amazônia como uma das 7 maravilhas do mundo. Primeiro apresentamos um plano envolvendo somente a Amazônia Brasileira, depois, todos os países da região norte da América do Sul aderiram à proposta. Então, finalmente formou-se um único bloco de candidatura da Amazônia com todo seu território", relatou o presidente do Amazonas Convention & Visitors Bureau, Pedro Muniz.<br />
<br />
"Hoje, Brasil, Peru, Bolívia, Colômbia, Equador, Guiana Francesa, Guiana, Suriname e Venezuela também englobam o posto de 7ª Maravilha do Mundo", completou.<br />
<br />
A página na internet apresenta informações sobre a Amazônia, descreve a floresta, fauna, flora, rios, bacias, afluentes, temperatura e divulga dados sobre a extensão territorial.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-6466477332896287964.post-62138140527284994962012-07-23T09:12:00.000+01:002012-07-25T09:28:40.954+01:00Boom Festival: livre, mas ecológico por natureza e convicção<div class="separator" style="clear: both; text-align: center;">
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A lua cheia está quase a dar o sinal de partida para a nona edição do Festival Boom. Este ano, entre 28 de Julho e 4 de Agosto, em Idanha-a-Nova, distrito de Castelo Branco, pessoas de todo o mundo voltam a reunir-se para uma semana de “alinhamento com a natureza”.<br />
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A criação de uma consciência ambiental tem sido, ao longo das várias edições, uma das fortes premissas do Boom. E este ano, além de não ser excepção, torna-se mais ambicioso ao apresentar o projecto Boom Off the Grid, que tem como objectivo tornar, a curto prazo, a herdade auto-sustentável. <br />
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O exemplo é dado já durante o festival com duas das principais áreas - Healing Area e Sacred Fire - a apoiarem-se apenas em energias renováveis, seja através da utilização de painéis solares fotovoltaicos ou do reaproveitamento de óleo usado para alimentar geradores. As restantes áreas continuarão a receber o apoio das estações solares térmicas e eólicas existentes na Herdade desde 2008.<br />
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Contudo, esta é só uma das muitas facetas “verdes” do Boom. Existem, pequenas quintas de permacultura, que após mês e meio de terem sido plantadas, já estão bem diferenciadas da paisagem. <br />
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Uma fito-etar - estação de tratamento de águas residuais que através de uma vegetação específica, consegue purificar as águas – já construída em 2008, assegura que quase 100% das águas sejam reaproveitadas. <br />
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E não esquecer as 200 casas banho de compostagem, em que todos os resíduos produzidos podem ser depois utilizados para adubarem os terrenos. “Trata-se de casas de banho iguais às usadas em outros festivais de verão, mas neste caso sem danos para o ambiente. São construídas com materiais reutilizáveis e não necessitam de químicos no tratamento das fezes”, disse André Santos, responsável pelos projectos de sustentabilidade do Boom Festival. <br />
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“Por vezes, acho que as pessoas têm medo destas casas de banho. Chamo a isso fecofobia. No entanto, outros festivais europeus estão interessados em replicar este tipo de casas de banho”, acrescentou.<br />
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Alguns dos espaços do festival aproveitam ainda materiais do Rock in Rio. Já em 2010, isto tinha acontecido. Uma equipa de trabalhadores do Boom, coopera na desmontagem do Rock in Rio e em troca, os materiais que iriam para o lixo, são utilizados nas construções do Boom.<br />
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Em 2008 e 2010, o Boom foi galardoado com o Greener Festival Award Outstanding. Em 2010, acumulou ainda o prémio Green'n'Clean Festival of the Year nos European Festival Award, além de ter sido convidado pela ONU para fazer parte da United Nations Environmental and Music Stakeholder Initiative, projecto com vista a promover a consciência ambiental junto do grande público.<br />
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Fica o filme da edição de 2008. São 54 minutos para assistir na íntegra e entrar no espírito do Boom:
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<i><a href="http://ecosfera.publico.pt/noticia.aspx?id=1556018" target="_blank">link</a></i>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-6466477332896287964.post-51155007429833832102012-07-22T10:20:00.000+01:002012-07-25T10:20:41.116+01:00Trepadeiras nas fachadas podem reduzir 30% da poluição urbana<div class="separator" style="clear: both; text-align: center;">
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Intervenções verdes nas cidades como a plantação de espécies vegetais em paredes podem diminuir a poluição até 30% nas cidades. Estes resultados foram divulgados nesta semana, num artigo do <i>Journal of Environmental Science and Technology</i>.<br />
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Estudos anteriores, já tinham demonstrado que intervenções verdes nas cidades removiam do ar o dióxido de azoto (NO2) e outras partículas, compostos prejudiciais para a saúde humana, mas só com uma eficácia de 5%.<br />
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No entanto, o modelo de computador usado nesta nova investigação chegou a um valor muito superior. O efeito dos vales urbanos (os edifícios altos alinhados nas ruas concentram o ar na região e impedem que a poluição atmosférica se liberte dali) pode ser usado para uma intervenção ecológica nas cidades.<br />
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“Inserir [paredes verdes] de forma estratégica pode ser uma forma relativamente fácil de controlar os problemas locais de poluição”, declarou o co-autor do artigo Rob Mackenzie, da Universidade de Birmingham, em entrevista à <i>BBC</i>.<br />
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A mais valia dos “corredores verdes”, que o estudo vem demonstrar, radica num potencial de redução da poluição que se revela mais eficaz do que os modos tradicionais.<br />
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“Até agora todas as iniciativas para tentar reduzir a poluição têm sido feitas de cima para baixo, como livrar-se de carros velhos, acrescentar catalisadores e até introduzir taxas de congestionamento - e estas não têm mostrado o efeito desejado. O benefício dos corredores verdes é que limpam o ar que entra e fica no espaço entre os prédios”, diz Rob MacKenzie, um dos autores da pesquisa.<br />
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Esses corredores são compostos por plantas trepadeiras, que crescem junto às paredes exteriores das construções. “Plantar mais (corredores verdes) de uma forma estratégica poderia ser uma maneira relativamente fácil de controlar os nossos problemas locais de poluição”, acrescenta o cientista.<br />
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Essas plantas acopladas aos prédios poderiam criar os “corredores verdes”, e isso faria com que tivesse função de um filtro nas grandes cidades, ocasionando a diminuição em até 30% da quantidade de poluentes no ar, disse o estudo.<br />
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Os cientistas ressalvam que as trepadeiras são de fácil cultivo, além do mais, são muito resistentes. As plantas trepadoras, como a hera, são as mais usadas neste tipo de intervenção, mas o estudo acrescenta que as árvores plantadas no passeio são também um bom filtro, embora mais eficazes em ruas com menor poluição, dado que, as árvores não conseguem filtrar acima da sua copa.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2JXMvrGyyQJDItAY8qRNZ-GSsYXTfBVYDzvlD0t0n76GWruZ-Y-TNQI1gtr7P-KXST803Z8STkBBZBkUWQZJCx3rGXYQKAW6z3POgbih4ZiaT8Ln5UMSILnh79AP2J_QPDOg1uym1n_I/s1600/green-walls.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2JXMvrGyyQJDItAY8qRNZ-GSsYXTfBVYDzvlD0t0n76GWruZ-Y-TNQI1gtr7P-KXST803Z8STkBBZBkUWQZJCx3rGXYQKAW6z3POgbih4ZiaT8Ln5UMSILnh79AP2J_QPDOg1uym1n_I/s640/green-walls.jpg" width="640" /></a></div>
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Mais alguns exemplos: <a href="http://www.greendiary.com/entry/gorgeous-green-walls-the-next-big-thing-in-green-building-design/" target="_blank">AQUI</a>.</div>
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Cf. também:<br />
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<ul>
<li><a href="http://suite101.com/article/the-future-of-green-walls-a211309" style="background-color: white;" target="_blank">The future of green walls</a></li>
<li><a href="http://ecohomeresource.com/2009/07/an-introduction-to-green-walls.html" style="background-color: white;" target="_blank">An Introduction to Green Walls</a></li>
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Unknownnoreply@blogger.com0